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  • Arts Calendar
    • Online & Streaming
    • Comedy + Improv
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    • Free
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    • Music
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    • Stage + Dance
    • Visual + Arts
  • Regions
    • North Coast
    • South Coast
    • Anderson Valley
    • North County
    • Inland
  • Programs
    • Annual Mendocino County Art Champion Awards
    • Arts Administrators Roundtable Meetings
    • California Creative Corps
    • Curriculum Resource Library, a GASP Resource
    • Emergency Preparedness
    • Fiscal Receiver & Sponsorship
    • Gallery at the ACMC Office / Historic Ukiah Depot
    • Get Arts in the Schools Program (GASP)
    • Member Artists in the Spotlight
    • Mendocino County Alliance for Arts Education
    • Mendocino County Celebrates American Craft Week
    • Poetry Out Loud
    • Public Art
    • Publicity Support for Artists and Others
    • Sculpture Gallery at the Botanical Gardens
  • Directories
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    • Classes/Workshops
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  • Sunny Chancellor
    Sunny Chancellor
    Graphic Arts; Multi Arts; Visual Arts: Architectural Illustration, Graphic Arts, Illustration, Mixed Media, New Media/Technology, Painting, Photography, Sculpture
    Sunny has been experimenting with and around the digital arts realm for many years. With  the digital realm comes a great vast expanse of possibility, and Sunny has enjoyed the expansive  nature to it’s fullest. From digital photo-editing, to animation, to computer controlled routers,  the endless possibilities reflect from his work. Color, shape, design; all interplay in this new, modern medium expression.
  • Danza Davis
    Danza Davis
    Graphic Arts; Visual Arts: Graphic Arts, Illustration, Murals, Painting, Visual Arts Instructor
    Danza Davis is a professional artist based out of Mendocino County, CA. She majored in studio art and botany at Humboldt State University and studied science illustration at California State University Monterey Bay. In addition to her studio practice and public art projects, she is proud to work for California-based Ink Dwell studio whose focus is on creating art that explores the wonders of the natural world. Western Columbine, Acrylic on Canvas,48 x 48 Danza’s current studio work, The Kaleidoscope Series, is a posthumous collaboration with her father that pairs geometric patterns inspired by his work with items from the natural world.   North County and Coastal Zone Murals, Mendocino County Juvenile Hall, 2018-2019   Her current public artwork engages incarcerated youth in mural making, made possible by the Arts Council of Mendocino County and the California Arts Council. See more at her website: www.danzadavis.com ​
  • Lavender Grace
    Lavender Grace
    Media; Multi Arts; Performing Arts: Actor/Actress, Dance, Music, Radio/Television, Spoken Word, Storytelling, Theatre, Vocal; Visual Arts: Graphic Arts, Performance Art, Performers and Writers
    “Music is my medicine, my story of healing.  my offering to you, on your journey, to help you find your Medicine in your own song, within your own rhythm.” Lavender Grace is dedicated to the tools of Heart Song Medicine, for the good of all, for the collective evolution of all beings. She is a Sacred Ecology Specialist, and facilitator of Intuitive Drum Song, a course created by the lands and people of Northern California, informed by the lineage of her Celtic Ancestors & the influences of Moorish song and dance. At the very core, Lavender Grace is instructed by the Bees. She moves to the rhythm of the hive, the path of co-existence, the life song path, the life dance to the beat of the heart drum. Dedicated to the shared responsibility of our times, to elevate our consciousness. Come, show up, be courageous, you are needed! She is a facilitator, musician, actor, dancer, poet, artist, and consultant to those in need of her services. For more info visit www.honeyhivemendo.com
  • Perry Hoffman
    Perry Hoffman
    Graphic Arts; Multi Arts; Visual Arts: Ceramics, Crafts, Glasswork, Graphic Arts, Painting, Photography, Sculpture; Mosaics
    I am Perry Hoffman, artist, photographer, mosaic maker, tile maker and creator of the Tile House in the Mojave desert… specifically in wOnder valley, east of Twentynine Palms. Born in 1953 in Los Angeles, California, at the Queen of Angels Hospital.  My parents were New York Jews, Rose & Ben, who always taught, peace, love, understanding and compassion for all people and had a love of art and music. You learn these things early. Grateful. Studied art in first grade and got in trouble for drawing a nude. Studied art at California Institute of the Arts in Valencia in the early seventies. Played with Paul Reubens and David Hasselhoff. Causing a ruckus, with a few regrets but otherwise a fun time. Migrated in 1975 to San Francisco, doing color xerox collage and mail art, photography and clay and small backyard gardens. Great classes with Toby Klayman in San Francisco, who taught Business and Visual Artist. Forever grateful being introduced to POSTCARDS… Participated in a few group shows with copy art artists in the Albany State Museum and a few in various locations in San Francsico, like La Mamelle Gallery. Those were the days. This part requires a book. Now on the Mendocino Coast in Gualala, with bees and garden and forest mushrooms.
  • Deborah Hunter
    Deborah Hunter
    Visual Arts: Constructions/Collage, Graphic Arts, Mixed Media, Photography, Works on paper; Digital art; Digital collage; Encaustic
    …will be one of six artists in the Endangered Planet exhibit at the Corner Gallery, in Ukiah, January 3 – 25, 2019. I have been involved in the arts, in one way or another, for most of my adult life. Straight out of high school I started attending Pierce Community College, known for their art and agricultural departments. I took double class loads for four years majoring in art, with a minor in biology. I have had works in some group exhibitions including Barnsdall Park, Pierce and the now-defunct Site Gallery in Los Angeles, mostly in the period of the late 1980s through early 2000s. I spent much of the 1990s working closely with artist Lun*na Menoh to assist her in materializing her artistic vision. In 1997 I started a handmade card business making multiples as well as a good deal of miniature originals. In more recent years I’ve spent part of my time freelancing as a graphic designer. In recent years I’ve become increasingly concerned about political and environmental issues and devote what time I can to activism. Our ongoing global environmental crisis has inspired this series which I’ve entitled Nature in Turmoil. All work I’ve contributed to the Endangered Planet show was created by means of digital collage and alteration of existing photographs. Displaced fragments, photo-negative effects, elements of our shared visual language such as rings that might suggest wave transmission or oversized pixels as a reference to modern technology, menacing shards, the juxtaposition of the beautiful with the cautionary, and other graphic devices are intended to create an unsettling undercurrent. Works in this series consist of a single encaustic panel and a series allowing up to 200 giclees of each work, printed on archival rag paper (typical substrate used for etchings and lithographs). Both the encaustic panels and prints and large in size. The panels are images printed on a translucent paper embedded in an encaustic layer. Part of the beauty and expressiveness of encaustic wax are the drips and swirls occurring as the wax is spread which reveal the hand of the artist. As with all visual art, any intrinsic value must be of a visual nature. If the work itself does not document or suggest any issue or convey anything of visual worth, then excessive verbal explanation given to prop it up is fairly useless. As stated concisely by Edward Hopper “If you could say it in words there would be no reason to paint.” It is my hope for this body of work to appear pretty straightforward -for it not to require a lot of narration and that it can offer something that stays with the viewer rather than a mere passing diversion. I am an artist from L.A., currently residing in Ukiah, CA. Concern about the ongoing global environmental crisis has inspired my recent work.
  • Ling-yen Jones
    Ling-yen Jones
    Multi Arts; Visual Arts: Ceramics, Crafts, Glasswork, Graphic Arts, Jewelry, Mixed Media, Photography, Printmaking, Sculpture, Textiles, Works on paper
    The Coast Highway Artists Collective (CHAC) was formed in March, 2012. The Collective includes artists working in various genres and media. Most of us live on or near the coast of the Pacific Ocean, in an area called “Mendonoma,” which includes the adjacent southern Mendocino County and northern Sonoma County in California. Our gallery in Point Arena has a long art history. The building, which is easily recognizable by its red paint and bright yellow sun logo, was originally a home for a family with five children. Decades ago, the building was converted into an art gallery and was known as City Art. Many artists in the local community contributed to creating the gallery and hosting art exhibits. Years later, the gallery became inactive and stood vacant for a time. CHAC was then formed and refurbished the building to use it for year-round displays of local members’ art. Guest artists are often invited to exhibit at the gallery. Our Collective member artists take turns staffing the gallery on its open days, usually four, including weekends (see our current schedule on the Home page), so that whenever anyone visits, there will be one of our artists there to serve them. The building, with its charming garden, is oftentimes used for community events. .
  • James Maxwell
    James Maxwell
    Visual Arts: Ceramics, Functional and/or Decorative, Graphic Arts, Illustration, Mixed Media, New Media/Technology, Painting, Printmaking, Sculpture, Visual Arts Instructor, Works on paper
    Multi-media Artist, Author, Arts Educator, James Maxwell moved to the Mendocino Coast in 1973. A few examples of his prolific creative work can be seen below. Top of The Fen (From Visual Essay on Our Local Wilderness) 2’ X 4’ acrylic paint Some details: James E. Maxwell Born: June 15, 1941 Riverside, California Drew and Painted at an early age Riverside School District 1946 thru 1959 Childhood summer vacations with immediate family: 1949 thru 1958 Pacific Northwest and Western Canada Joined US Air Force 1959 After military testing for skills Studied Pattern Recognition and types of Military Codes Assigned Bremerhaven, Germany US Security Service Three years duty. My own one room painting studio in Germany 1960-1963 Traveled extensively throughout Western Europe Museums, and artists’ open studios College: BFA, MFA Art Center College of Design 1963 -1969 William Zacha’s Geranium (Brought Home) 3’ X 4’ oil paint w/copper and faux gold leaf Work: The Hollywood Chapter of The National Academy of Television Arts and Sciences Los Angeles Area Television Academy Awards 1970 Honors JAMES MAXWELL Graphics For Contributions to the winning of an Area Television Academy Award OUT OF THE SHADOWS KNBC-TV june 26, 1970 PBS-TV Staff Artist Los Angeles 1974-1976 One Man Showings: La Cieniga Blvd – Hollywood, CA each year 1973-1976   1976 Moved to Mendocino, Northern California Fine Arts-illustration Painting/Sculpture instructor Mendocino Art Center & College of the Redwoods   Retired at 68 years of age Returned to Europe when 70 for six weeks visiting friends in England, France, Switzerland, Northern Italy. At 72 returned to England and Northern Scotland, Isle of Sky Traveled with painting supplies South Pacific, Hawaii, American Samoa, Western Samoa, Kingdom of Tonga, and New Zealand, Ireland East West and South for six weeks spring Summer 2016 Returned home overlooking Fort Bragg, CA’s Pudding Creek “I focus on what I can learn from images that question me as much as I question them.” JM
  • Blake More
    Blake More
    Graphic Arts; Literary Arts; Multi Arts; Performing Arts: Dance, Spoken Word, Theatre; Visual Arts: Constructions/Collage, Functional and/or Decorative, Graphic Arts, Murals, New Media/Technology, Painting, Performance Art, Performers and Writers
    A 1987 graduate of UCLA and a lifetime member of the Phi Beta Kappa Honor Society, Blake More is an artist with many creative voices and expressions. Blurring the boundaries between disciplines, her work embraces visual art, poetry, video, performance, costume design, teaching, functional mixed media art/life pieces and hand-painted art cars, including her newest artcar, a Mercedes SL500 painted with a metallic palette she calls “Star Yantra” (staryantra.life). Blake first stepped on stage in Japan in 1994, when she agreed to recite poetry with a friend’s jazz band at a Shinjuku music club in Tokyo. Since then, she has performed her spoken word art in a range of venues—from cafes, art galleries and museums to 1000 seat theaters—in major cities all over the world, including Tokyo, Los Angeles, New York City, Amsterdam, New Orleans, and San Francisco. Her performance art is a fusion of spoken word, music, yogic contortion, dance, trapeze, clowning and costuming. She creates to reveal, questions to inspire and shares to engage the audience in soulful expression. Among her performance highlights are the time she shared the stage with jazz pianist Cecil Taylor and beat poet Tony Seymour in a Bob Kaufman tribute reading at the Main branch of the San Francisco Public Library, and the International Poetry Festival in Amsterdam (sponsored by the Provost Poets). She has traveled cross country on a performance tour with a group of San Francisco performance artists and musicians that then became the movie “Head Trip”. But her favorite project to date is a multimedia play called Boxing Pandora, which she wrote, produced, costumed, directed and stared in; 75 minutes long, the play itself involved the efforts of over 20 local artists and included an original score, original video (both live and prerecorded), a 13 member Greek-inspired chorus, poetic monologue, dance, audience participation and a trapeze (no monkeys though). A freelance writer for 15 years, Blake’s work appeared in Utne Reader, Yoga Journal, Intuition Magazine Alternative Medicine Digest and Tokyo Time Out. To date, she has written two non-fiction books, one fiction book, and three poetry chapbooks. Her most successful book is a holistic health book entitled Alternative Medicine’s Definitive Guide to Headaches, which has sold over 100,000 copies sold to date. Her poetry has appeared in a number of literary journals and books, including Heart Flip (CPITS anthology), The Alchemy Of The Word: Voices At the Edge, San Francisco Poets Live At Venue 9, Wood, Water, Air and Fire: Anthology of Mendocino Women Poets, Hard Love: Looking at Violence & Intimacy, The Toaster Broke, So We’re Going To Get Married. Author of five books of poetry, her book godmeat is a collection of poetry, prose, color artwork, and a DVD compilation of poem movies (available at godmeat.com), and her chapbook Up In the Me World is available on her website. In addition to her writing, she teaches poetry, multimedia art and performance to K-12 youth. A California Poets In the Schools (CPITS) poet teacher since 2000, she is also the Mendocino County Area Coordinator for CPITS. She organizes two annual Mendocino County High Schgool Poetry Slams and serves as the coach of the Point Arena Youth Poetry Slam Team. She also writes grants to do special, longer residencies, including: One of these projects was entitled “The Poetry Of The Blues”, in which she and New Orleans blues pianist Nelson Lunding guided 2nd thru 8th grade students in the writing of original 12 bar blues songs (with titles such as “Rocks in my Shoes”, “Our Bus Life” “Soap Opera School”), which were then arranged by Nelson and sung by the kids. These recordings were compiled into five original Kids Blues CDs, and one compilation CD entitled “We’re Playing Blues”, which is currently on sale as a fundraiser for “Gualala Arts In the Schools”. In another especially noteworthy youth project, she and videographer Christian Birk guided six Native American youth in the creation of a documentary film about living on the Pomo Reservations of Kashia, Point Arena, and Manchester in Sonoma and Mendocino Counties. Because of its raw power and unadorned honesty, the youth film crew became one of 14 youth groups in the nation to be invited to participate in the 2003 Reel Studio Young Filmmakers Workshop at Sundance Film Festival in Park City, Utah; the film has been widely shown to diverse audiences, from schools to art centers, from tribal centers to businesses and social service organizations. It even managed to land a spot on the shelf in the Smithsonian Cultural Heritage Library. She hosts an hour-long public affairs program called Women’s Voices on KZYX&Z FM Mendocino. She is also sits on several non-profit arts and education boards, and volunteers with many local organizations. For an extensive list and exploration of Blake More’s creative world please visit her website: www.snakelyone.com
  • Bill Mulvihill
    Bill Mulvihill
    Graphic Arts; Media; Visual Arts: Graphic Arts, Mixed Media, Painting, Works on paper
    Bill Mulvihill has lived on the north coast since 1970. In the early seventies he worked with Mendocino Art Center instructors Charles Stevenson and Dorr Bothwell. He was also involved in theatre productions performed there, doing posters, stage managing, costume and set design. In the years since then, Bill has worked in many art mediums, drawing, portraiture and printmaking being particular favorites. After completing the College of the Redwoods Graphic Communications Program, he received the certificate in May 2007. Currently, in addition to working with the Arts Council of Mendocino County, he is assistant editor for the Fort Bragg – Mendocino Coast Historical Society newsletter, “Voice of the Past”. Bill also does other design/layout work, digitizing analog audio, & CD and DVD disc design and duplication.
  • Kitty Norris
    Kitty Norris
    Graphic Arts; Visual Arts: Graphic Arts
    www.magneticgraffiti.com Made in California from American Made Raw Materials  
  • Marie Pera
    Marie Pera
    Visual Arts: Graphic Arts, Illustration, Mixed Media, Painting
    I am a visual artist who loves to paint and to draw. I have two teaching credentials-mulitsubject with an art option and secondary education for art and english. Since 2009 I have been retired from full time teaching. I am an active member of MCAA in Ukiah and also the Ukiah Valley Artist Cooperative. In addition I have memberships in the DeYoung Museum and the Olive Hyde Art Center in Fremont. For the past six years I have taught preK-high school art classes for he GASP program.
  • Button Quinn
    Button Quinn
    Graphic Arts; Visual Arts: Graphic Arts, Mixed Media, Murals, Painting, Printmaking, Sculpture
    I have been an Artist or rather I have been painting and drawing since i was seven years old. You could say I was born into it. From a large Irish/English family, art was a main pastime in every sense of the word. Button has lived on the Mendocino Coast for 45 years, raised three daughters and has seven Grandchildren. Owns Cobalt gallery promotes her work and offers Guest Artist‘s one man shows. 2022 Button was guest artist at Art in the Garden, which is held every year at the Botanical Gardens.
  • Lauren Sinnott
    Lauren Sinnott
    Visual Arts: Graphic Arts, Murals, Painting, Works on paper
    See a detailed description about Lauren’s latest mural From Finland to Fort Bragg complete with photos & videos here. I am an artist, historian and former politician. www.historymural.com will show you how so many things in my life and work have recently come together in the perfect project: my monumental history mural on the north wall of the Ukiah Valley Conference Center. But let’s back up a little. My diverse portfolio is partly the result of making a living through art in the modern world. Before photography was invented, everyone would want me to create their image. Now, it’s really only dogs that people commission portraits of. I even paid a vet bill once with a mural of dogs, cats, birds, rabbits, and mice. At Point Arena High School, I painted a face that gets walked on: the sports mascot, a 6 ft. grinning pirate on the floor of the basketball court. A local big wave surfer modeled. Art entwines with life… and also its loss. That surfer was part of my California family and I portrayed him as a life-size 3-dimensional winged angel after his death at sea. The lady who commissioned this work died recently and now the angel has come back to me. It all started in Wisconsin’s dairyland, where I was raised by an artist mother and poet father. My mom supported us on graphic design, and as a toddler I worked at a little table alongside her. Our house was filled with paintings and books. It was the Age of Aquarius and I knew I was supposed to be at Woodstock, but it was impossible. I was ten. I spent my senior year as an AFS exchange student in Belgium, speaking only French and learning to take class notes in perfect outline form. I discovered the art of conversation, four-hundred year old homes and good coffee. It was there that I began to feel the pull of an old culture living still where it had always been. Back from Belgium, I attended Rice University in wonderfully hot and humid Houston, TX. I earned a BA in Art and French, then a BFA in painting, and an MA in Art History. During graduate study, I encountered a work whose untold story began to open before me, becoming the subject of my thesis, The Double Portrait of Two Men in the Museum of Fine Arts, Houston. And the story blossomed again with stunning new research on the part of several scholars, leading to my recent paper, Beloved Disciple: Vittore Belliniano and a Double Portrait of Two Men, which explores the possibility that the exalted Venetian Renaissance painter Giovanni Bellini and his head of studio were lovers. I taught art history for several years at the museum school, painted one of my most exquisite mural in a private bathroom, and became a single mother of two. But I yearned for the ocean! Not the Gulf of Mexico, the Pacific Ocean, which I had never even seen. And Northern California to be specific, because friends had told me “Your kind of people live there.” My boys and I left town in a converted school bus with a wood stove and beds. We found Point Arena located with its lighthouse on a jutting tip of land WEST of the San Andreas fault. This is the other California, where populations are dwarfed by the ridged landscape and pounding ocean. This is exactly what I was looking for, except I forgot that it was going to be impossible to get my PhD. The consolation prize was my life in politics as City Council member and then Mayor of one of only four incorporated cities in Mendocino County. Point Arena is the seventh tiniest city in California, which meant the city staff was small and overworked, and our jobs as elected officials were large and unending. On top of legislative activity, we also had the tasks of employee hiring, evaluating, and firing. It helped to have an eye for detail. It didn’t help to earn only $100 a month. (See more about fights and triumphs in city government and much more of my artwork on my main website www.artgoddess.com which will be sleek and modern by Christmas!) My boys and I lived in our bus in the fragrant manzanita forest for a year and when we moved to town I supported us with art and rent. I took jobs ranging from art cars to tombstone design, from wedding dresses to sewing a life-size brocade torso complete with all female reproductive parts for a doctor. I created the Velvet Vulva line of purses for the lesbian, feminist and enlightened market. I painted curbs and hemmed pants. Business signs and design services were a mainstay. I picked blackberries, ate wild mustard greens, baked my own bread, and gleaned apples from the ground. We took in a parade of roommates to make ends meet. My house was teeming with the boys and their friends, and was full of books and paintings. Recently my son who learned Mandarin and now lives in Taiwan paid me a compliment. He said, “Mom, I never knew we were poor.” And of course, in real terms, we weren’t. All of these experiences have caused me to reflect on the ultimate purpose of the artist and the historian. Art history is a jeweled necklace, a string of masterpieces threaded on inspiration from around the world. Yet art was made by, for, and about real people who led complex lives. A man who loved men and didn’t have wealth or a noble patron in 15th-century Venice could be burned alive in the Piazza San Marco. Ghosts walk in those grand cities and on the quiet streets of my own town, where no more than a century ago, it was permitted to shoot an Indian after dark. Forced servitude, kidnappings and massacres took place across California, including multiple occurrences here in Mendocino County. During the 1850s, the new state government’s official position was denial of rights and extermination was seen as inevitable. Depravity haunts exaltation, and the sacred charge of the historian is to give voice to the fallen, to shine light on the common and hidden, as well as the great. As a Renaissance painting mutely accomplishes merely by surviving, the historian keeps a subject alive with his published words, and the muralist with her imagery. I love the motto of Yale University: Lux et Veritas. Light and Truth – with one we find the other. My latest and largest project, the huge historical narrative mural on the north wall of the Ukiah Valley Conference Center, is the result of these threads interweaving. I could use all those hours of life drawing, all of that house painting, all my knowledge of narrative art through the centuries, and all my experience working with the public in administration. This is a public work for everyone and about everyone. It contains over two-hundred portraits and tells many stories of people who live here now. People can see why this art has meaning. They understand the argument I once presented to a dear friend over dinner: “You will be fascinated,” he was informed, looking doubtful as he questioned art history and the importance of such things. “History is to humanity as memory is to the individual,” I said. We are each of us walking backwards into the future. “Would you want to do that with your eyes shut?” My companion smiled, saw it was true, and ordered champagne, since he was about to hear what had been revealed by a Venetian inventory from 1569.* *That the great collection of Gabriele Vendramin included a little box portrait of Giovanni Bellini with the portrait of Vittore, his disciple, on its cover.  
  • Fred Sternkopf
    Fred Sternkopf
    Visual Arts: Film, Graphic Arts, Illustration, Painting, Sculpture, Visual Arts Instructor
    Welcome to my world of art! Being born into a family with generations of German artists, I was almost destined to become an artist. At age 5, I had my first solo exhibition of paintings in Michigan . . . and Art continued thereafter as my central focus of life. I completed studies at Michigan State University, the University of Wisconsin, the Art Institute of Chicago and the San Francisco Art Institute. I live and work between the Northcoast of California and New Mexico. My work can be found in private, corporate, and museum collections throughout America and in Western Europe. Many forms of art have played a part in my world of expression. My sculpture ranges from figurative realism to minimalist abstract . . . monumental to minimal in size. Materials used include corten steel, stainless steel, wood, stone and more. Each new commissioned project dictates the range of expression. The rules come from the heart. Ravens have often been my muse. They’ve long played a role in the spiritual beliefs of many cultures worldwide, since the beginning of mankind. They’re considered the wisest of all birds, and often seem to express a special wisdom beyond the human realm. Since early museum exposure to the works of Alexander Calder, I’ve sought to expand in that direction with my own personal mobiles. Now often personal and corporate collections include my mobiles in addition to their Calders. Cartooning has played an important role in my life since the time I could hold a pencil as a small child. Over a thousand of my cartoons have been published to date in newspapers, magazines and books. For over 20 years my “Dr. Doo” political/social commentary cartoon strip has appeared in the Anderson Valley Advertiser, one of the last truly progressive independent publications. A weekly newspaper with distribution across the country and abroad, especially featured in college and university bookstores. “Dennis Rodman”Private CollectionChicago, ILAcrylic on Board Other graphic art has included portraiture of several well known sports and entertainment figures for their collections. Also I’ve worked with social activists, such as the Black Panthers. In addition to fine art paintings, I’ve done book illustrations …and several logo designs. My love of sports has taken me into commercial graphics for several professional sports teams, including Giants, A’s, Niners, Raiders and the Golden State Warriors. Film, video and photography have also played an important part in my creative life. My short documentary and docudrama films have won awards in several international film festivals, including the San Francisco, New York and Chicago festivals. I’ve also taught Film and Video Production with the assistance of a “California Arts Council” grant. In the commercial world of advertising, I’ve produced several TV commercials and corporate films for national distribution. “Women In Black”Sculpture CommissionStainless Steel & StoneCarolyn M. Owen CollectionMendocino Coast, CA Much of my work is political or spiritual in content. I strongly believe fine art should speak directly to the soul. With each encounter with a work of art, something new should be seen and realized…over and over. True art shouldn’t just be decorative, but add to the expansion of the inner self…the soul, and bring about personal reflection and insight. Every time one looks at the same piece of real fine art it should be a new experience…a revelation…helping to discover oneself. Frederick Sternkopf P.O.Box 743 Mendocino, CA 95460 (707) 962-0410   Frederick Sternkopf
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