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Met Premiere of Handel’s satire of sex and power politics, evoking a scandalous world in which the Roman Empire never fell but simply kept going right up to the present.
In the Met’s first-ever performances of Agrippina, Handel’s satire of sex and power politics, Sir David McVicar re-conceives a production he originally created for the Monnaie in Brussels in 2000, evoking a scandalous world in which the Roman Empire never fell but simply kept going right up to the present. Holding a distorted mirror to contemporary society (as Handel did when he staged this opera), the production presents the corrupt intrigues of the political classes, brought to life by ... view more »
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