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Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic “The Blue Angel” stands as a satiric tribute to capitalism.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute (Barbara Sukowa) exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor (Mario Adorf) against the new straight-arrow building commissioner (Armin Mueller-Stahl), Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale.
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