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Spencer Brewer & Esther Siegel

Multi Arts; Performing Arts: Music; Visual Arts: Constructions/Collage, Mixed Media, Sculpture

Spencer Brewer & Esther Siegel Overview Transforming the everyday cast-off into something extraordinary… Spencer Brewer & Esther Siegel have a passion for creating quirky and fantastical pieces of art out of re-purposed, or ‘found art’ materials. From the whimsical and humorous to the punk and dark, each piece is one of a kind. Creating “new compositions” from vintage or unusual objects, they inspire viewers with a sense of delight, surprise and sometimes awe. Working both separately and as a team, Spencer & Esther confer regularly on their artwork. “We don’t always have the same vision, but we always listen and that feedback can open new doors.” Their studio is a wonderland of eccentric odds and ends and then some. Nicknamed the “Barn of Curiosities, Oddities and Light”, one discovers a much venerated collection of eccentric obsolete ephemera & vintage electromechanical obscura giving these artists endless options for their transformative art. Esther Siegel Esther’s “late in life artist” emerged from the scrapbooking world. From there she expanded to unique one of a kind greeting cards and then moved into ‘found art’ sculptures. Her pieces are a mixture of the whimsical and dark humor. They range from Barbie Doll parts (Altered Barbies) to old neck ties (Awards), to horse and doll parts (Horse People) and antique toasters (Twisted Toasters). She describes her creative process as sometimes very slow and frustrating and goes through many variations on a theme before settling on the finished piece. Spencer Brewer Spencer Brewer has been creating art and music since he could walk. For much of his life his focus was on pianos, composing, creating, recording and producing music. He also worked on over 20,000 pianos, crank phonographs and pump organs which gave him the opportunity to collect unique and obscure vintage mechanical objects along the way. In 2006 he began to focus his creative energy on ‘re-purposed or found-art’, using parts he had amassed over the years to create unusual sculptures. “I love vintage 60-150 year-old beautifully designed parts and objects. The graphic design and engineering of the industrial to the science fiction eras inspire me.”

Susan Barnes

Visual Arts: Mixed Media, Painting

I began in the mid-1970s doing watercolor paintings of landscapes. I love people, so it was not long before I began doing portraits in watercolor also. In the mid-1980s, I moved to Hawaii with my husband Jim, and there started painting in the bright colors I saw in my subjects every day. This continued when I focused more on oil impressionist painting as I moved to the Mendocino Coast in 1992. I moved around Northern California as my husband relocated for his work, but he retired in 2016 and we returned to the Mendocino Coast, which we love. I presently show in the Highlight Gallery in Mendocino.

Doug Browe

Visual Arts: Ceramics, Functional and/or Decorative, Mixed Media, Sculpture, Visual Arts Instructor

Doug Browe, Potter, Ceramic Artist and Sculptor My work focuses on history, problem solving, and relationships. Humankind both anthropomorphizes vessels, to the point of manifesting them with power as if surrogate humans; and employs them as metaphors for humans and manifests them in architectural form, they become a protected sanctuary of containment. It excites me to be part of this connection and help move this timeless conversation forward. From the dawn of civilization humans have had a relationship with vessels; we have from the beginning, anthropomorphized them, manifesting in them the power and honor of being surrogate humans. In turn we use them to mimic our many archetypes. My intrigue of this relationship between humans and the vessel moves my work. Currently, I lead the Ceramics and Sculpture Department at Mendocino College in Ukiah CA and have a studio practice making utilitarian ceramics and sculpture in Elk CA. “I am intrigued by the relationship between the vessel, architectural form and the human figure, that place where the human figure finds form in vessels and architecture and architecture and vessels finds form in figuration. I use these narratives to express a variety of personal and social issues in my work”.

Sunny Chancellor

Graphic Arts; Multi Arts; Visual Arts: Architectural Illustration, Graphic Arts, Illustration, Mixed Media, New Media/Technology, Painting, Photography, Sculpture

Sunny has been experimenting with and around the digital arts realm for many years. With the digital realm comes a great vast expanse of possibility, and Sunny has enjoyed the expansive nature to it’s fullest. From digital photo-editing, to animation, to computer controlled routers, the endless possibilities reflect from his work. Color, shape, design; all interplay in this new, modern medium expression.

Laura Corben

Visual Arts: Mixed Media, Painting, Visual Arts Instructor, Works on paper

Now living in Mendocino County, Laura’s interest in the natural world is major focus of her work, both plein air and in the studio. She paints in watercolor, acrylic, and mixed media as well as making numerous journals with ink and watercolor. She earned a BFA from San Jose State University, a masters from the University of Victoria, and taught high school art and art history for many years. Her home studio is in the hills outside of Willits and she is a member of the Artists’ Co-op of Mendocino. Her inspiration comes from a love of Nature, a delight in light and color, changing seasons and living things.

Suzanne da Rosa

Visual Arts: Crafts, Jewelry, Mixed Media, Printmaking, Textiles; Knitting

I am a knitting historian and master lace knitter. The last 7 years I’ve been researching the earliest knitting manuals from the 1840’s cataloging, reviewing, knitting, updating and charting patterns from these early handwritten lace patterns. In 2021 I created a deck of Victorian Lace Knitting Cards to be used by knitters who want to practice their lace knitting skills, practice designing their own pieces and use them along with their favorite simple patterns to make them their own. The cards are available through my website and will be available for shipping in late January 2022. Along with the cards I’ve designed four Victorian Long Shawl knitting patterns. With this project complete, my 2022 plans are to work with these cards in different mediums than yarn and create outdoor sculptures. I would like to collaborate with other artists to combine lace knitting with other mediums. Other interests include linoleum block printing, solar plate etching and felting and to continue working with Pacific Textile Arts in whatever way I can to increase participation and encourage support of he fiber arts community in the Mendocino/Fort bragg area. Bio: suzannedarosa.com Mendocino Art Center artist in residence (2019-20) bio: https://www.mendocinoartcenter.org/air-20192020/suzanne-da-rosa

Laura Diamondstone

Visual Arts: Mixed Media, Painting, Works on paper

SF Bay area native with many hairpin turns and destinations, currently rooting as a small homesteader in Anderson Valley. Inspired from a lifelong absorption of a spectrum of visual, writing and performing arts by extraordinary and ordinary creatives. My art making is expression, giving tangible form to what sustains inner to environment exchange and dialogue as well as how materials/color/creative process/experience informs and shapes the process. It is an act of indulgence, necessity, and evolution. Abstraction is challenging, experimenting with materials is research, representational and figurative work exercises neurotransmission. I believe in all of it and nature and giving back.

Judith Edwards

Visual Arts: Ceramics, Crafts, Glasswork, Jewelry, Mixed Media, Sculpture, Works on paper

My relationship with clay began at Grove Street College in Oakland in the 1970s and at Chico State I received a BA in Ceramics. My work is influenced by Mayan Art, Botany, my Marine Science studies & an attraction to Mysticism. Some of my early work also incorporated ceramic sculpture with textiles. Currently, the figurines, tiles and decorative pieces I have been working on are inspired by nature and the mystical use of spirit totems.

Melissa Eleftherion Carr

Literary Arts; Visual Arts: Mixed Media, Performers and Writers, Photography

Melissa Eleftherion (she/they) is a writer, a librarian, and a visual artist. Her work has been featured in solo exhibitions at Bluestockings bookstore (NYC), & the Kensington Public Library (CA), as well as a group show at MEDIUM Art Gallery. She is the author of field guide to autobiography (The Operating System, 2018), & ten chapbooks including: huminsect (dancing girl press, 2013), prism maps (Dusie, 2014), Pigtail Duty (dancing girl press, 2015), the leaves the leaves (poems-for-all, 2017), green glass asterisms (poems-for-all, 2017) little ditch (above/ground press, 2018), trauma suture (above/ground press, 2020), & abalone (poems-for-all, 2021). Her poems & prose have been widely published in over 100 journals and anthologies, & nominated for various awards including the Pushcart Prize & Best of the Net. Most recently, her work has appeared or is forthcoming in The Berkeley Poetry Review, Paperbag, & On the Seawall. Born & raised in Brooklyn, Melissa is an alumna of Brooklyn College (BA), Mills College (MFA), and San Jose State University (MLIS). She founded and co-curates The San Francisco State University Poetry Center Chapbook Exchange with Elise Ficarra. Melissa now lives in Northern California where she manages the Ukiah Branch Library, curates the LOBA Reading Series, and serves as the Poet Laureate of Ukiah. Recent work is available at www.apoetlibrarian.wordpress.com

Deborah Hunter

Visual Arts: Constructions/Collage, Graphic Arts, Mixed Media, Photography, Works on paper; Digital art; Digital collage; Encaustic

…will be one of six artists in the Endangered Planet exhibit at the Corner Gallery, in Ukiah, January 3 – 25, 2019. I have been involved in the arts, in one way or another, for most of my adult life. Straight out of high school I started attending Pierce Community College, known for their art and agricultural departments. I took double class loads for four years majoring in art, with a minor in biology. I have had works in some group exhibitions including Barnsdall Park, Pierce and the now-defunct Site Gallery in Los Angeles, mostly in the period of the late 1980s through early 2000s. I spent much of the 1990s working closely with artist Lun*na Menoh to assist her in materializing her artistic vision. In 1997 I started a handmade card business making multiples as well as a good deal of miniature originals. In more recent years I’ve spent part of my time freelancing as a graphic designer. In recent years I’ve become increasingly concerned about political and environmental issues and devote what time I can to activism. Our ongoing global environmental crisis has inspired this series which I’ve entitled Nature in Turmoil. All work I’ve contributed to the Endangered Planet show was created by means of digital collage and alteration of existing photographs. Displaced fragments, photo-negative effects, elements of our shared visual language such as rings that might suggest wave transmission or oversized pixels as a reference to modern technology, menacing shards, the juxtaposition of the beautiful with the cautionary, and other graphic devices are intended to create an unsettling undercurrent. Works in this series consist of a single encaustic panel and a series allowing up to 200 giclees of each work, printed on archival rag paper (typical substrate used for etchings and lithographs). Both the encaustic panels and prints and large in size. The panels are images printed on a translucent paper embedded in an encaustic layer. Part of the beauty and expressiveness of encaustic wax are the drips and swirls occurring as the wax is spread which reveal the hand of the artist. As with all visual art, any intrinsic value must be of a visual nature. If the work itself does not document or suggest any issue or convey anything of visual worth, then excessive verbal explanation given to prop it up is fairly useless. As stated concisely by Edward Hopper “If you could say it in words there would be no reason to paint.” It is my hope for this body of work to appear pretty straightforward -for it not to require a lot of narration and that it can offer something that stays with the viewer rather than a mere passing diversion. I am an artist from L.A., currently residing in Ukiah, CA. Concern about the ongoing global environmental crisis has inspired my recent work.

Happy/L.A. Hyder

Performing Arts: Spoken Word; Visual Arts: Mixed Media, Photography

I am celebrating 48 years of making images. My desire to photograph began in the 1950s as I became aware of the power of photographic imagery (although I wouldn’t have been able to articulate it at the time) through the Life magazines that came through our door weekly. A self-taught photographer, I count Margaret Bourke-White, W. Eugene Smith, and the myriad other pictorialists in Life’s pages, as my mentors. Shortly after moving to San Francisco in 1969 and two days after using a friend’s 35mm camera, I had my own Nikkormat with a 105mm (portrait) lens. At a camera store, I learned about film and how to load the camera. I joined the SF Photo Center, and, following their two-hour fundamentals in developing and printing class, was let loose in a darkroom. Within two years, I began working with a Hasselblad medium format camera (the negative is 2 ¼” square and there are 12 shots to a roll of film) with a 150mm lens (equivalent to the 105mm) and had my own darkroom. I grew to love the square format and credit the twelve shots per roll of film with the honing of my style of shooting – I spend much time setting up my shot, using my negative as a painter would her canvas, in order to print full frame. I walk away without shooting if my framing cannot achieve what first attracted me to look through the lens. I still credit those Life photographers for helping me hone my visual perspective. While the Hasselblad remains my most cherished tool, in 2009 I was dragged kicking and screaming into the digital age. I find the lightweight digital cameras I’ve been using feed my creativity. Able to carry one at all times, I am able to capture those images that earlier would only be captured in my mind since the heft of the Hasselblad meant I would only carry my camera when I was focused on photographing. With digital, I am also enjoying, and getting very interesting results, working with movement to produce abstract images. I also work with mixed-media assemblage, most often using my own images within the piece. Although taking more images using a digital format, I retain the habit of setting up shots with precision and printing my images full frame, and continue to retain a strict sensibility when choosing what to print. I also use an Epson 1400 printer and the immediacy of these digital tools is truly a wonder to my years of working in film, first in a darkroom during my 22 years working in b&w, and, with a switch to color exclusively in 1997, in having film developed and working with a professional printer.

Ling-yen Jones

Multi Arts; Visual Arts: Ceramics, Crafts, Glasswork, Graphic Arts, Jewelry, Mixed Media, Photography, Printmaking, Sculpture, Textiles, Works on paper

The Coast Highway Artists Collective (CHAC) was formed in March, 2012. The Collective includes artists working in various genres and media. Most of us live on or near the coast of the Pacific Ocean, in an area called “Mendonoma,” which includes the adjacent southern Mendocino County and northern Sonoma County in California. Our gallery in Point Arena has a long art history. The building, which is easily recognizable by its red paint and bright yellow sun logo, was originally a home for a family with five children. Decades ago, the building was converted into an art gallery and was known as City Art. Many artists in the local community contributed to creating the gallery and hosting art exhibits. Years later, the gallery became inactive and stood vacant for a time. CHAC was then formed and refurbished the building to use it for year-round displays of local members’ art. Guest artists are often invited to exhibit at the gallery. Our Collective member artists take turns staffing the gallery on its open days, usually four, including weekends (see our current schedule on the Home page), so that whenever anyone visits, there will be one of our artists there to serve them. The building, with its charming garden, is oftentimes used for community events. .

Mary Rose (Redwood Mary) Kaczorowski

Literary Arts; Performing Arts: Spoken Word; Visual Arts: Ceramics, Mixed Media, Painting, Photography

Mary Rose “Redwood Mary” Kaczorowski resides on the Mendocino Coast. She studied photography at Maine Photographic Workshops in Rockport, Maine; fine arts at Mason Gross School for the Arts/Rutgers University; at U.C. Berkeley Extension and at College of the Redwoods in Fort Bragg. At San Francisco Art Institute she studied photography with Larry Sultan and Linda Connors. In the 1980s Kaczorowski co-curated/produced “Artists at the Rock Project and Exhibition” in cooperation with the National Park Service Golden Gate National Recreation Area. This interpretive exhibition was the first of its kind in the Western U.S. Kaczorowski was a member of several artists’ groups including ArtLab (San Francisco), Secession Gallery (San Francisco), Ft. Bragg Center for the Arts (Gallery Artist) and the Women’s Caucus for Art. She took part in the San Francisco feminist protest group known as the Guerrilla Girls–originally formed in NYC to protest discrimination against women artists and artists of color in the art world. Kaczorowski’s works range from large scale to smaller paintings, photographs, oil pastels, drawings and watercolor. She states, ” My art delves into another way of seeing. I push beyond the boundaries between what is considered “fine art” and abstract expressionist-style.” She is a published poet & is a member of The Fort Bragg (CA) Poets. Her framed photos/art cards are available at Indigo in Mendocino Village.

Heather Law

Heather Law was raised in rural Northern California. In 2004, she received a Bachelor of Arts degree from California State University, Chico. After graduating, she spent several years as an apprentice at Hoyman-Browe pottery studio in Ukiah, California. From 2007-2009 she attended graduate school in Rochester, New York, at the School of American Crafts at Rochester Institute of Technology, where she obtained a Master’s of Fine Art degree with a concentration in Ceramic Sculpture. Currently she is a studio production artist and small business owner in Ukiah, CA. Law’s work is a social commentary on American consumerism, personal identity through material goods, and the waste that material consumption creates in our commodity culture. Her work is a tangible and direct representation of mass consumerism/waste and her molds are a friendly reusable reminder of the importance of being aware of our carbon footprint.

Larain Matheson

Visual Arts: Mixed Media, Painting; Encaustic wax and oil

These recent paintings I’ve done reflect my love and inspiration from nature, and abstracting the forms I see in the universe. I have been working in ENCAUSTIC WAX and OILS for over 8 years. I have been an artist for over 35 years and received an M.F.A. from U.CL.A. I am captivated by the medium of encaustic which reveals new space and depth, colors, transparencies and surprises. Use of multimedia and collage in my work to experiment with the pigmented wax , I can pour, paint, monoprint and texture the paintings. My work spans abstract to realism. I am always connecting with the energy of the four elements: Earth, Air, Fire, and Water. See more at larainmathesonart.com Encaustic is an ancient medium dating back 2000 years, and was used by the Greeks and Egyptians. I am a member of the Encaustic Art Institute in Santa Fe N.M. and have exhibited my work in Mendocino Art Center, Dolphin Gallery , Cirrus Gallery in Marin, Sebastopol Art Center, Berkeley Art Center, and numerous other galleries and shows throughout California and Colorado. My work is published in the EAI catalogue in Santa Fe, and in “Art Takes Miami “book for 2012. I have taught art at Riverside City College, Santa Ana Jr. College and Marin JC . in California. I continue to teach Encaustic Workshops at my ocean studio twice a year, in Fall and Spring. The process I use takes many turns and as long as I am open to the way the paint moves and the process of heating each layer with a torch to “fuse” the paint, the patterns and images begin to emerge. I paint to discover the unseen, make it visible and return to the connections that nature inspires.

James Maxwell

Visual Arts: Ceramics, Functional and/or Decorative, Graphic Arts, Illustration, Mixed Media, New Media/Technology, Painting, Printmaking, Sculpture, Visual Arts Instructor, Works on paper

Multi-media Artist, Author, Arts Educator, James Maxwell moved to the Mendocino Coast in 1973. A few examples of his prolific creative work can be seen below. Top of The Fen (From Visual Essay on Our Local Wilderness) 2’ X 4’ acrylic paint Some details: James E. Maxwell Born: June 15, 1941 Riverside, California Drew and Painted at an early age Riverside School District 1946 thru 1959 Childhood summer vacations with immediate family: 1949 thru 1958 Pacific Northwest and Western Canada Joined US Air Force 1959 After military testing for skills Studied Pattern Recognition and types of Military Codes Assigned Bremerhaven, Germany US Security Service Three years duty. My own one room painting studio in Germany 1960-1963 Traveled extensively throughout Western Europe Museums, and artists’ open studios College: BFA, MFA Art Center College of Design 1963 -1969 William Zacha’s Geranium (Brought Home) 3’ X 4’ oil paint w/copper and faux gold leaf Work: The Hollywood Chapter of The National Academy of Television Arts and Sciences Los Angeles Area Television Academy Awards 1970 Honors JAMES MAXWELL Graphics For Contributions to the winning of an Area Television Academy Award OUT OF THE SHADOWS KNBC-TV june 26, 1970 PBS-TV Staff Artist Los Angeles 1974-1976 One Man Showings: La Cieniga Blvd – Hollywood, CA each year 1973-1976 1976 Moved to Mendocino, Northern California Fine Arts-illustration Painting/Sculpture instructor Mendocino Art Center & College of the Redwoods Retired at 68 years of age Returned to Europe when 70 for six weeks visiting friends in England, France, Switzerland, Northern Italy. At 72 returned to England and Northern Scotland, Isle of Sky Traveled with painting supplies South Pacific, Hawaii, American Samoa, Western Samoa, Kingdom of Tonga, and New Zealand, Ireland East West and South for six weeks spring Summer 2016 Returned home overlooking Fort Bragg, CA’s Pudding Creek “I focus on what I can learn from images that question me as much as I question them.” JM

Pavlos Mayakis

Visual Arts: Mixed Media, Visual Arts Instructor

Pavlos currently is the Fiber Arts Coordinator at the Mendocino Art Center where he works hard to bring local, regional, and national artist/instructors to Mendocino so that students can learn and experience world class fiber art instruction and learn new techniques. He also serves as an instructor in the art department at Mendocino College in Fort Bragg. In Fall 2016 he will be teaching Fabric Printing and Dyeing I and II (ART176A, ART176B) as well as Art and Craft Marketing (ART191). Pavlos is an active board member of Pacific Textile Arts in Fort Bragg where he recently helped lead a team to create PTA’s logo. Students from his Mendocino College Fabric Printing and Dyeing class will be exhibiting at Pacific Textile Arts during the month of June with a First Friday opening from 5PM – 8PM. (June 3rd) 450 Alger Street in Fort Bragg. He is also an artist member of Northcoast Artists Gallery serving on its membership committee and he also helps staff the gallery. Pavlos will be having a solo exhibition at Northcoast in November 2016. In his former life, Pavlos was an advertising and small business consultant with AT & T before deciding to become a weaver and surface designer. He received a certificate in Weaving/Textiles from Mendocino College in Ukiah with a 4.0 average and was awarded two scholarships before earning his B.S. Skidmore College, and an M.F.A. Interdisciplinary Art, Goddard College. Mayakis is an artist-weaver who creates contemporary intuitive abstract mixed media assemblages by often, but not always using nontraditional screen printing techniques to act as a point of departure for intentional mark making on silk noil cloth. Fragments of painted loom controlled shibori cloth or other objects are cooperatively stitched or attached on the canvas. He also spearheads the Sustainable Napkin Project that he was awarded the Socially Engaged Practices Grant by the Surface Design Association to draw awareness to the billions of tons of paper waste that end up in our land fills as a direct result of our consumer consumption of paper napkins. Pavlos encourages everyone to carry a cloth napkin in your pocket to use at restaurants. His hand dyed napkins are available at both Northcoast Artists Gallery at the Mendocino Art Center’s giftshop. View his website at http://pavlosmayakis.com

Jazzminh Moore

Visual Arts: Illustration, Mixed Media, Painting, Visual Arts Instructor, Works on paper

I was born at Breitenbush Hot Springs in the Willamette National Forest of Oregon. At age two, my mother and I moved to Encinitas, California. My childhood hinged on making this 1200 mile journey twice a year to see my father, first by car and later by plane, and set me up for a life of travel. After high school, I lived in every major city on the west coast and then spent years in NYC, building an art career and traveling the world. I now live in Willits with my six year old daughter. Willits happens to be equidistant between my two childhood homes and for that reason, feels like a perfect place to have landed. Spill, acrylic on birch panel, 23” x 48”, 2013 For nearly twenty years, I was known for painting dynamic portraits with a sense of movement and psychological complexity. In 2018, I ventured into collage and have not looked back. My work has been fundamentally changed. Through the medium of collage, I can unlock subconscious content and imagery heretofore unmined within the confines of representational portraiture. All recent paintings are informed by collages. My work can be viewed at http://www.jazzminhmoore.com I received my BFA from Cornish College of the Arts in Seattle, and MFA from California State University, Long Beach, both in Drawing and Painting. I have had solo exhibitions in NYC, LA, SF, Paris and elsewhere. My work has been featured in various publications, including New American Paintings, American Art Collector Magazine, the Village Voice, Interview and Zing Magazine. Recent teaching experience includes seven years in Cornish College of the Arts’ Summer Program and an intensive painting retreat at Anderson Ranch Arts Center in Aspen, Colorado. I currently teach Portrait Painting and Figure Drawing at Mendocino College. Claire de Lune, mixed media, 36” x 36”, 2018

Bill Mulvihill

Graphic Arts; Media; Visual Arts: Graphic Arts, Mixed Media, Painting, Works on paper

Bill Mulvihill has lived on the north coast since 1970. In the early seventies he worked with Mendocino Art Center instructors Charles Stevenson and Dorr Bothwell. He was also involved in theatre productions performed there, doing posters, stage managing, costume and set design. In the years since then, Bill has worked in many art mediums, drawing, portraiture and printmaking being particular favorites. After completing the College of the Redwoods Graphic Communications Program, he received the certificate in May 2007. Currently, in addition to working with the Arts Council of Mendocino County, he is assistant editor for the Fort Bragg – Mendocino Coast Historical Society newsletter, “Voice of the Past”. Bill also does other design/layout work, digitizing analog audio, & CD and DVD disc design and duplication.

Kristin Otwell

Visual Arts: Mixed Media, Painting

I have been exploring nature with watercolor for over 40 years. Trained as a scientific illustrator, my subject matter has included succulent plants, rocks, leaves and trees rendered with a combination of detailed realism and a focus on abstract design.

Marie Pera

Visual Arts: Graphic Arts, Illustration, Mixed Media, Painting

I am a visual artist who loves to paint and to draw. I have two teaching credentials-mulitsubject with an art option and secondary education for art and english. Since 2009 I have been retired from full time teaching. I am an active member of MCAA in Ukiah and also the Ukiah Valley Artist Cooperative. In addition I have memberships in the DeYoung Museum and the Olive Hyde Art Center in Fremont. For the past six years I have taught preK-high school art classes for he GASP program.

Gail Porcelan

Gail Porcelan gporcelan@gmail.com Autumn Postcards – Fabric I am a retired Fort Bragg teacher. I have always incorporated art in the curriculum as a way to enhance the academic work of my students with creative projects which were relevant to the topic, time period and culture we studied. I began creating my own work 20 years ago which is rooted in fiber art and mixed media collage. Window Pane Fabric (detail) My textile wall hangings are made with a variety of Japanese woven and printed fabrics. I also lean towards batiks, Aborigine and African printed fabrics and up cycled natural fabrics. The hand sewing is inspired by the sashiko tradition of using contrasting color thread (usually white) to make running stitches in patterns. I often use traditional kamon motifs (crests). The embellishments vary from handmade buttons, pebbles, shells, wood, buttons, beads, ribbon and photos printed on fabric. The smaller pieces are hand printed or hand batiked and I have been incorporating traditional Adinkra symbols from Ghana. Recently I have enjoyed making macramé bracelets often using up cycled beads. Paper Collage – Handmade Paper, 6X6 You can contact me at gporcelan@gmail.com if you are interested in any of my pieces, I have many pieces on display in my studio, a selection in Ficus and Fern in Fort Bragg and Indigo in Mendocino and on the Pacific Textile Arts website. (https://www.pacifictextilearts.org/members-work-for-sale/)

Robert Rhoades

Visual Arts: Ceramics, Mixed Media, Painting, Printmaking, Sculpture

Creekwood Studios is a fine art and art travel business. As a recently retired professor of art, Bob continues to produce and show original art. For nearly 20 years, he and his wife have arranged and led small, upscale, art and culture trips abroad. Content, context and craft, the {“three C’s”} developed over decades of teaching is the technique Bob uses to help others understand and appreciate art and architecture. Bob makes both classical and contemporary work accessible to all. His vast knowledge of art processes is a unique approach to appreciating and understanding both art and culture As a skilled teacher, lecturer, scholar and storyteller, Bob will enable you to advance whether you are a beginner or an advanced artist. His instruction will push you to higher levels of accomplishment. On past trips we have created paintings from ochres gathered from the ancient quarries of Roussillion. We have strolled the streets of Florence where the rivalries between the Medici and the Strozzi families shaped the Renaissance. We have shared an afternoon glass of wine before a classical concert at St. Nicolas Cathedral in Prague, and joined in a local party for dancing after a home cooked meal in our villa in Tuscany. These are but a few of the experiences Creekwood Studios has created with new experiences waiting to be made.

Lillian Rubie

Visual Arts: Illustration, Mixed Media, Painting, Performers and Writers, Photography

Owner/Artist at Lillian Rubie Photography & Illustration and co-founder of Deep Valley Arts Collective. Lillian is a photographer and illustrator. She has a love of children’s books, costuming, Old Hollywood photography, and all things Halloween.

kb SOCORRO

Visual Arts: Constructions/Collage, Illustration, Mixed Media, New Media/Technology

A native of California, Socorro is an award winning fine art photographer and multimedia artist. Utilizing visual storytelling and experiential design, their interdisciplinary practice explores the effect of environments and objects on human interaction.

Barbara Ware

Visual Arts: Mixed Media, Painting

I came to Potter Valley in 1973 and live quite remotely near the Eel River. My garden, the natural beauty of Mendocino County, and the plants and animals that surround me give me the majority of my inspiration. I work primarily with watercolor and acrylics and love experimenting with mixed media. I’m in love with my experience with color as I paint, the mingling and mixing of colors on the page. And I love the total engagement that absorbs my full concentration in the process of painting. It’s transforming!

Laura Wiecek

Visual Arts: Crafts, Mixed Media, Painting, Textiles, Works on paper; Book Art

Go to my website ShesNartist.net for all information

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