Illustration Archives - ArtsMendocino - Serving Mendocino County CA

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Sunny Chancellor

Graphic Arts; Multi Arts; Visual Arts: Architectural Illustration, Graphic Arts, Illustration, Mixed Media, New Media/Technology, Painting, Photography, Sculpture

Sunny has been experimenting with and around the digital arts realm for many years. With the digital realm comes a great vast expanse of possibility, and Sunny has enjoyed the expansive nature to it’s fullest. From digital photo-editing, to animation, to computer controlled routers, the endless possibilities reflect from his work. Color, shape, design; all interplay in this new, modern medium expression.

Danza Davis

Graphic Arts; Visual Arts: Graphic Arts, Illustration, Murals, Painting, Visual Arts Instructor

Danza Davis is a professional artist based out of Mendocino County, CA. She majored in studio art and botany at Humboldt State University and studied science illustration at California State University Monterey Bay. In addition to her studio practice and public art projects, she is proud to work for California-based Ink Dwell studio whose focus is on creating art that explores the wonders of the natural world. Western Columbine, Acrylic on Canvas,48 x 48 Danza’s current studio work, The Kaleidoscope Series, is a posthumous collaboration with her father that pairs geometric patterns inspired by his work with items from the natural world. North County and Coastal Zone Murals, Mendocino County Juvenile Hall, 2018-2019 Her current public artwork engages incarcerated youth in mural making, made possible by the Arts Council of Mendocino County and the California Arts Council. See more at her website: www.danzadavis.com

James Maxwell

Visual Arts: Ceramics, Functional and/or Decorative, Graphic Arts, Illustration, Mixed Media, New Media/Technology, Painting, Printmaking, Sculpture, Visual Arts Instructor, Works on paper

Multi-media Artist, Author, Arts Educator, James Maxwell moved to the Mendocino Coast in 1973. A few examples of his prolific creative work can be seen below. Top of The Fen (From Visual Essay on Our Local Wilderness) 2’ X 4’ acrylic paint Some details: James E. Maxwell Born: June 15, 1941 Riverside, California Drew and Painted at an early age Riverside School District 1946 thru 1959 Childhood summer vacations with immediate family: 1949 thru 1958 Pacific Northwest and Western Canada Joined US Air Force 1959 After military testing for skills Studied Pattern Recognition and types of Military Codes Assigned Bremerhaven, Germany US Security Service Three years duty. My own one room painting studio in Germany 1960-1963 Traveled extensively throughout Western Europe Museums, and artists’ open studios College: BFA, MFA Art Center College of Design 1963 -1969 William Zacha’s Geranium (Brought Home) 3’ X 4’ oil paint w/copper and faux gold leaf Work: The Hollywood Chapter of The National Academy of Television Arts and Sciences Los Angeles Area Television Academy Awards 1970 Honors JAMES MAXWELL Graphics For Contributions to the winning of an Area Television Academy Award OUT OF THE SHADOWS KNBC-TV june 26, 1970 PBS-TV Staff Artist Los Angeles 1974-1976 One Man Showings: La Cieniga Blvd – Hollywood, CA each year 1973-1976 1976 Moved to Mendocino, Northern California Fine Arts-illustration Painting/Sculpture instructor Mendocino Art Center & College of the Redwoods Retired at 68 years of age Returned to Europe when 70 for six weeks visiting friends in England, France, Switzerland, Northern Italy. At 72 returned to England and Northern Scotland, Isle of Sky Traveled with painting supplies South Pacific, Hawaii, American Samoa, Western Samoa, Kingdom of Tonga, and New Zealand, Ireland East West and South for six weeks spring Summer 2016 Returned home overlooking Fort Bragg, CA’s Pudding Creek “I focus on what I can learn from images that question me as much as I question them.” JM

Jazzminh Moore

Visual Arts: Illustration, Mixed Media, Painting, Visual Arts Instructor, Works on paper

I was born at Breitenbush Hot Springs in the Willamette National Forest of Oregon. At age two, my mother and I moved to Encinitas, California. My childhood hinged on making this 1200 mile journey twice a year to see my father, first by car and later by plane, and set me up for a life of travel. After high school, I lived in every major city on the west coast and then spent years in NYC, building an art career and traveling the world. I now live in Willits with my six year old daughter. Willits happens to be equidistant between my two childhood homes and for that reason, feels like a perfect place to have landed. Spill, acrylic on birch panel, 23” x 48”, 2013 For nearly twenty years, I was known for painting dynamic portraits with a sense of movement and psychological complexity. In 2018, I ventured into collage and have not looked back. My work has been fundamentally changed. Through the medium of collage, I can unlock subconscious content and imagery heretofore unmined within the confines of representational portraiture. All recent paintings are informed by collages. My work can be viewed at http://www.jazzminhmoore.com I received my BFA from Cornish College of the Arts in Seattle, and MFA from California State University, Long Beach, both in Drawing and Painting. I have had solo exhibitions in NYC, LA, SF, Paris and elsewhere. My work has been featured in various publications, including New American Paintings, American Art Collector Magazine, the Village Voice, Interview and Zing Magazine. Recent teaching experience includes seven years in Cornish College of the Arts’ Summer Program and an intensive painting retreat at Anderson Ranch Arts Center in Aspen, Colorado. I currently teach Portrait Painting and Figure Drawing at Mendocino College. Claire de Lune, mixed media, 36” x 36”, 2018

Performing Arts: Spoken Word, Storytelling, Vocal; Visual Arts: Film, Illustration, Murals, Painting, Performance Art, Visual Arts Instructor, Works on paper

JAYE ALISON MOSCARIELLO, MFA, Transart Institute/Plymouth University Cell/Studio: 310.970.4517 artisall@earthlink.net www.chasethemonkey.org BORN New Haven, CT RESIDE Redwood Valley, CA SELECTED MUSEUM EXHIBITIONS 2007 “The Last Show,” Asto International Art Festival, Asto Museum of Art, Los Angeles, CA “Simultaneous Multiplicity,” Asto Museum, Los Angeles, CA Gwangwhamoon Int’l Art Festival, Korea National Assembly Library of Korea GIAF, Korean Cultural Center, Bejing, China 2006 “15th Lantern of the East LA International,” Asto Museum, Los Angeles, CA 2002 “Mane Manebu,” Kid’s Plaza Museum, Osaka, Japan. 2000 “Bridging Two Milleniums,” Lalit Kala Akademi, New Delhi, India 1999 “Group Show,” Lalit Kala Akademi, New Delhi, India. Rutman, Howard, “What’s Up & Coming,” LA City Search.com, January 2002. Emenegger, Ashley, “How to Get Unstuck,” Artline Newsletter, Los Angeles, CA, Fall 2001. Etkin, Jay S., “Body & Self – A Hit in Memphis,” I.A.S.G. Newsletter, vol.7, num.2, Mar 2000. Lalit Kala Akademi, Catalog, I.A.S.G. Invitational, March 1999. Shaw, David, “1nE Review,” Memphis Flyer, Memphis, TN, December 1999. Shay, Daniel, “7th Street Int’l: Round Up the Usual Suspects,” I.A.S.G. Newsletter, vol.4, num.10, Washington, DC, December 1997. ARTIST-IN-RESIDENCIES 2006 – 2008 SEA, Montebello, CA Berendo Middle School, Los Angeles, CA La Vida West Pregnant Minor Program, Lawndale, CA Sponsored by Theatre of Hearts/Youth First, Los Angeles, CA PUBLIC ART 2008 Walgrove Elementary School – Courtyard Mural , Mar Vista, CA Hillcrest Elementary School – Outdoor Mural, Los Angelels,CA 2007 99th Street Elementary School, Library Mural, Los Angeles, CA 42nd Street Elementary School, Outdoor Mural, Los Angeles, CA ART WORKSHOPS 2000-2005 “Breaking Out”, Art Bootcamp for Blocked Creatives, Santa Monica, CA “One Minute Storytelling” Sister Corita Art Center, Los Angeles, CA “Sending a Message,” Sister Corita Art Center, LA, CA EDUCATION MFA, Transart Institute/Plymouth University, Berlin, Germany and Plymouth,UK

Gene Avery North

Visual Arts: Illustration, Painting

Leopard Woman and the Teachers ©2013, 30 x 48 Originally from Memphis, Tennessee, Gene Avery North studied painting and photography with Burton Callicott and William Eggleston, respectively. She currently resides in the hill country of Northern California. Strongly influenced by the realism of the fifteenth century Flemish and Italian masters, Gene uses her technical capability, combined with spiritual symbolism, to create a very realistic dreamtime world. For Gene, the creative process begins with an impression, a fully developed image which is the inspiration itself. Little or nothing is done to change or interpret these original “ideas” or lucid dreams. The meaning of these symbols is up to the viewer. “One reason I paint is because I was unable to go to veterinary school, and the art school let me go there for free. Then I mostly painted for rich Texans, which left me indelibly outraged. Now that I am on some hard-won social security, I no longer have to do commissions of things that I would not do otherwise. Painting is the best way I know how to express myself, without using language. I talk way too much. I have always wanted to be a cartoonist, who could paint like Bronzino. Back in those days, if the powers that be did not like what you painted, you would be drawn and quartered by four laughing horsemen. I do not like to talk about art, because the personal reasons I have for painting, are completely irrelevant to the viewer. When I say my words about the paintings, they influence the people who read these placards. Sometimes when I go to a museum, I realize that I just spent more time reading the message than actually looking at the picture. And while it may be true that the meaning is what fascinates, I would wish that the paintings could just speak for themselves. For this reason, there are no cards for you to read about these paintings. Sometimes when you dream, or “see” something interesting, you would never dare to put it into words. There’s something very libelous about words in America, but happily, it’s still safe to be a “crazy artist”. There is no explanation for spending about 500-1,000 hours on each picture. Doing something with my hands, and focusing my attention on that, makes me stop thinking. Which is very quiet, and peaceful. I like to paint heroes and goddesses, with plenty of horses. I like to make graven images and pray to them while I paint them! I want the world to be happy. I am an artist because it prevents me from exploding.”

Marie Pera

Visual Arts: Graphic Arts, Illustration, Mixed Media, Painting

I am a visual artist who loves to paint and to draw. I have two teaching credentials-mulitsubject with an art option and secondary education for art and english. Since 2009 I have been retired from full time teaching. I am an active member of MCAA in Ukiah and also the Ukiah Valley Artist Cooperative. In addition I have memberships in the DeYoung Museum and the Olive Hyde Art Center in Fremont. For the past six years I have taught preK-high school art classes for he GASP program.

Janet Rosen

Visual Arts: Illustration, Painting, Works on paper

Why make art? For many of us it is a way to mediate reality, to integrate and make sense of the world and then put it “out there” for others to experience. My aim is to create a narrative with enough space for the viewer to enter and find their own story. See more drawings & paintings in the gallery below and at www.janetrosen.com I enjoy working in series, some of which may be completed within weeks while others encompass years of intermittent work. Most projects end up being meditations on time, whether it’s capturing the play of light on moving water, the distortion of time created by illness or isolation, the passage of the sun and the seasons across an oak-studded hill, or the temporality of human life. During the pandemic I began a daily drawing practice focused on the faces of fellow artists on the Sktchy app and more recently this has led me to picking up water-soluble oils for portraiture. You can reach Janet Rosen at mendojanet(at)gmail.com

Lillian Rubie

Visual Arts: Illustration, Mixed Media, Painting, Performers and Writers, Photography

Owner/Artist at Lillian Rubie Photography & Illustration and co-founder of Deep Valley Arts Collective. Lillian is a photographer and illustrator. She has a love of children’s books, costuming, Old Hollywood photography, and all things Halloween.

Fred Sternkopf

Visual Arts: Film, Graphic Arts, Illustration, Painting, Sculpture, Visual Arts Instructor

Welcome to my world of art! Being born into a family with generations of German artists, I was almost destined to become an artist. At age 5, I had my first solo exhibition of paintings in Michigan . . . and Art continued thereafter as my central focus of life. I completed studies at Michigan State University, the University of Wisconsin, the Art Institute of Chicago and the San Francisco Art Institute. I live and work between the Northcoast of California and New Mexico. My work can be found in private, corporate, and museum collections throughout America and in Western Europe. Many forms of art have played a part in my world of expression. My sculpture ranges from figurative realism to minimalist abstract . . . monumental to minimal in size. Materials used include corten steel, stainless steel, wood, stone and more. Each new commissioned project dictates the range of expression. The rules come from the heart. Ravens have often been my muse. They’ve long played a role in the spiritual beliefs of many cultures worldwide, since the beginning of mankind. They’re considered the wisest of all birds, and often seem to express a special wisdom beyond the human realm. Since early museum exposure to the works of Alexander Calder, I’ve sought to expand in that direction with my own personal mobiles. Now often personal and corporate collections include my mobiles in addition to their Calders. Cartooning has played an important role in my life since the time I could hold a pencil as a small child. Over a thousand of my cartoons have been published to date in newspapers, magazines and books. For over 20 years my “Dr. Doo” political/social commentary cartoon strip has appeared in the Anderson Valley Advertiser, one of the last truly progressive independent publications. A weekly newspaper with distribution across the country and abroad, especially featured in college and university bookstores. “Dennis Rodman”Private CollectionChicago, ILAcrylic on Board Other graphic art has included portraiture of several well known sports and entertainment figures for their collections. Also I’ve worked with social activists, such as the Black Panthers. In addition to fine art paintings, I’ve done book illustrations …and several logo designs. My love of sports has taken me into commercial graphics for several professional sports teams, including Giants, A’s, Niners, Raiders and the Golden State Warriors. Film, video and photography have also played an important part in my creative life. My short documentary and docudrama films have won awards in several international film festivals, including the San Francisco, New York and Chicago festivals. I’ve also taught Film and Video Production with the assistance of a “California Arts Council” grant. In the commercial world of advertising, I’ve produced several TV commercials and corporate films for national distribution. “Women In Black”Sculpture CommissionStainless Steel & StoneCarolyn M. Owen CollectionMendocino Coast, CA Much of my work is political or spiritual in content. I strongly believe fine art should speak directly to the soul. With each encounter with a work of art, something new should be seen and realized…over and over. True art shouldn’t just be decorative, but add to the expansion of the inner self…the soul, and bring about personal reflection and insight. Every time one looks at the same piece of real fine art it should be a new experience…a revelation…helping to discover oneself. Frederick Sternkopf P.O.Box 743 Mendocino, CA 95460 (707) 962-0410 Frederick Sternkopf

The Franklin Family

Visual Arts: Crafts, Illustration, Jewelry, Painting, Textiles

Members of the Scotts Valley Band of Pomo Indians, Patricia Ray-Franklin along with her children, Tim (11), Joshua (9), and Sarah (6), make regalia to be worn while dancing. Patricia uses her craft to revitalize the culture of her tribe. Taught beading by her brother, Timothy Ray, Patricia has taught her children to bead. Among their many activities in the community the Franklins also dance, sing and play traditional instruments. Tim, Joshua and Sarah integrate their sense of rhythm, patterns and colors in their paintings. Patricia has been inspired by her late Aunt Bonnie Elliott, who she watched as a young girl weave baskets and make regalia. This is a unique opportunity to see dynamic art made by a family that is learning and sustaining the original cultures of Mendocino and Lake counties.

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