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  • Spencer Brewer & Esther Siegel
    Spencer Brewer & Esther Siegel
    Multi Arts; Performing Arts: Music; Visual Arts: Constructions/Collage, Mixed Media, Sculpture
    Spencer Brewer & Esther Siegel Overview Transforming the everyday cast-off into something extraordinary… Spencer Brewer & Esther Siegel have a passion for creating quirky and fantastical pieces of art out of re-purposed, or ‘found art’ materials. From the whimsical and humorous to the punk and dark, each piece is one of a kind. Creating “new compositions” from vintage or unusual objects, they inspire viewers with a sense of delight, surprise and sometimes awe. Working both separately and as a team, Spencer & Esther confer regularly on their artwork. “We don’t always have the same vision, but we always listen and that feedback can open new doors.” Their studio is a wonderland of eccentric odds and ends and then some. Nicknamed the “Barn of Curiosities, Oddities and Light”, one discovers a much venerated collection of eccentric obsolete ephemera & vintage electromechanical obscura giving these artists endless options for their transformative art.   Esther Siegel Esther’s “late in life artist” emerged from the scrapbooking world. From there she expanded to unique one of a kind greeting cards and then moved into ‘found art’ sculptures. Her pieces are a mixture of the whimsical and dark humor. They range from Barbie Doll parts (Altered Barbies) to old neck ties (Awards), to horse and doll parts (Horse People) and antique toasters (Twisted Toasters). She describes her creative process as sometimes very slow and frustrating and goes through many variations on a theme before settling on the finished piece.   Spencer Brewer Spencer Brewer has been creating art and music since he could walk. For much of his life his focus was on pianos, composing, creating, recording and producing music. He also worked on over 20,000 pianos, crank phonographs and pump organs which gave him the opportunity to collect unique and obscure vintage mechanical objects along the way. In 2006 he began to focus his creative energy on ‘re-purposed or found-art’, using parts he had amassed over the years to create unusual sculptures. “I love vintage 60-150 year-old beautifully designed parts and objects. The graphic design and engineering of the industrial to the science fiction eras inspire me.”    
  • Deborah Hunter
    Deborah Hunter
    Visual Arts: Constructions/Collage, Graphic Arts, Mixed Media, Photography, Works on paper; Digital art; Digital collage; Encaustic
    …will be one of six artists in the Endangered Planet exhibit at the Corner Gallery, in Ukiah, January 3 – 25, 2019. I have been involved in the arts, in one way or another, for most of my adult life. Straight out of high school I started attending Pierce Community College, known for their art and agricultural departments. I took double class loads for four years majoring in art, with a minor in biology. I have had works in some group exhibitions including Barnsdall Park, Pierce and the now-defunct Site Gallery in Los Angeles, mostly in the period of the late 1980s through early 2000s. I spent much of the 1990s working closely with artist Lun*na Menoh to assist her in materializing her artistic vision. In 1997 I started a handmade card business making multiples as well as a good deal of miniature originals. In more recent years I’ve spent part of my time freelancing as a graphic designer. In recent years I’ve become increasingly concerned about political and environmental issues and devote what time I can to activism. Our ongoing global environmental crisis has inspired this series which I’ve entitled Nature in Turmoil. All work I’ve contributed to the Endangered Planet show was created by means of digital collage and alteration of existing photographs. Displaced fragments, photo-negative effects, elements of our shared visual language such as rings that might suggest wave transmission or oversized pixels as a reference to modern technology, menacing shards, the juxtaposition of the beautiful with the cautionary, and other graphic devices are intended to create an unsettling undercurrent. Works in this series consist of a single encaustic panel and a series allowing up to 200 giclees of each work, printed on archival rag paper (typical substrate used for etchings and lithographs). Both the encaustic panels and prints and large in size. The panels are images printed on a translucent paper embedded in an encaustic layer. Part of the beauty and expressiveness of encaustic wax are the drips and swirls occurring as the wax is spread which reveal the hand of the artist. As with all visual art, any intrinsic value must be of a visual nature. If the work itself does not document or suggest any issue or convey anything of visual worth, then excessive verbal explanation given to prop it up is fairly useless. As stated concisely by Edward Hopper “If you could say it in words there would be no reason to paint.” It is my hope for this body of work to appear pretty straightforward -for it not to require a lot of narration and that it can offer something that stays with the viewer rather than a mere passing diversion. I am an artist from L.A., currently residing in Ukiah, CA. Concern about the ongoing global environmental crisis has inspired my recent work.
  • Nancy MacLeod
    Nancy MacLeod
    Visual Arts: Constructions/Collage, Crafts, Functional and/or Decorative, Painting, Textiles
    I grew up in the beauty of oak trees and yuccas in southern California’s chaparral. From the time I was a little kid, I drew and painted and made things every day. By High School, which had a fabulous art department, the format was such that I was able to take 8 art classes my senior year. The year after high school I spent studying with painters Ed Seagaitz and Jo Mahoney in Claremont, Calif. I then moved north and put myself through Calif. College of Arts and Crafts making one-of-a-kind art-to-wear garments, and graduated with distinction with a major in Fine Arts, emphasis in painting. I lived and made art in the Bay Area until 2003, when we moved to Philo, where we still live. My main goal in creating art is to make political, social and spiritual commentary in a way that is playful and fun to have around. I like to paint pictures about things I think have an important message. Some of those things are really very ugly, like war, injustice, environmental destruction- but I don’t like to paint ugly things. The idea I want to convey is often, though not always, serious. The execution is meant to be fun, playful, so as not to scare the viewer away, but to give them pause to think on it without being beaten over the head. I paint in what I call “Primitive Narrative”, or “Folk Art Fantasy”. My husband and I also make furniture together, mostly cupboards, which we call “Folk Art Fantasy Furniture”.
  • Blake More
    Blake More
    Graphic Arts; Literary Arts; Multi Arts; Performing Arts: Dance, Spoken Word, Theatre; Visual Arts: Constructions/Collage, Functional and/or Decorative, Graphic Arts, Murals, New Media/Technology, Painting, Performance Art, Performers and Writers
    A 1987 graduate of UCLA and a lifetime member of the Phi Beta Kappa Honor Society, Blake More is an artist with many creative voices and expressions. Blurring the boundaries between disciplines, her work embraces visual art, poetry, video, performance, costume design, teaching, functional mixed media art/life pieces and hand-painted art cars, including her newest artcar, a Mercedes SL500 painted with a metallic palette she calls “Star Yantra” (staryantra.life). Blake first stepped on stage in Japan in 1994, when she agreed to recite poetry with a friend’s jazz band at a Shinjuku music club in Tokyo. Since then, she has performed her spoken word art in a range of venues—from cafes, art galleries and museums to 1000 seat theaters—in major cities all over the world, including Tokyo, Los Angeles, New York City, Amsterdam, New Orleans, and San Francisco. Her performance art is a fusion of spoken word, music, yogic contortion, dance, trapeze, clowning and costuming. She creates to reveal, questions to inspire and shares to engage the audience in soulful expression. Among her performance highlights are the time she shared the stage with jazz pianist Cecil Taylor and beat poet Tony Seymour in a Bob Kaufman tribute reading at the Main branch of the San Francisco Public Library, and the International Poetry Festival in Amsterdam (sponsored by the Provost Poets). She has traveled cross country on a performance tour with a group of San Francisco performance artists and musicians that then became the movie “Head Trip”. But her favorite project to date is a multimedia play called Boxing Pandora, which she wrote, produced, costumed, directed and stared in; 75 minutes long, the play itself involved the efforts of over 20 local artists and included an original score, original video (both live and prerecorded), a 13 member Greek-inspired chorus, poetic monologue, dance, audience participation and a trapeze (no monkeys though). A freelance writer for 15 years, Blake’s work appeared in Utne Reader, Yoga Journal, Intuition Magazine Alternative Medicine Digest and Tokyo Time Out. To date, she has written two non-fiction books, one fiction book, and three poetry chapbooks. Her most successful book is a holistic health book entitled Alternative Medicine’s Definitive Guide to Headaches, which has sold over 100,000 copies sold to date. Her poetry has appeared in a number of literary journals and books, including Heart Flip (CPITS anthology), The Alchemy Of The Word: Voices At the Edge, San Francisco Poets Live At Venue 9, Wood, Water, Air and Fire: Anthology of Mendocino Women Poets, Hard Love: Looking at Violence & Intimacy, The Toaster Broke, So We’re Going To Get Married. Author of five books of poetry, her book godmeat is a collection of poetry, prose, color artwork, and a DVD compilation of poem movies (available at godmeat.com), and her chapbook Up In the Me World is available on her website. In addition to her writing, she teaches poetry, multimedia art and performance to K-12 youth. A California Poets In the Schools (CPITS) poet teacher since 2000, she is also the Mendocino County Area Coordinator for CPITS. She organizes two annual Mendocino County High Schgool Poetry Slams and serves as the coach of the Point Arena Youth Poetry Slam Team. She also writes grants to do special, longer residencies, including: One of these projects was entitled “The Poetry Of The Blues”, in which she and New Orleans blues pianist Nelson Lunding guided 2nd thru 8th grade students in the writing of original 12 bar blues songs (with titles such as “Rocks in my Shoes”, “Our Bus Life” “Soap Opera School”), which were then arranged by Nelson and sung by the kids. These recordings were compiled into five original Kids Blues CDs, and one compilation CD entitled “We’re Playing Blues”, which is currently on sale as a fundraiser for “Gualala Arts In the Schools”. In another especially noteworthy youth project, she and videographer Christian Birk guided six Native American youth in the creation of a documentary film about living on the Pomo Reservations of Kashia, Point Arena, and Manchester in Sonoma and Mendocino Counties. Because of its raw power and unadorned honesty, the youth film crew became one of 14 youth groups in the nation to be invited to participate in the 2003 Reel Studio Young Filmmakers Workshop at Sundance Film Festival in Park City, Utah; the film has been widely shown to diverse audiences, from schools to art centers, from tribal centers to businesses and social service organizations. It even managed to land a spot on the shelf in the Smithsonian Cultural Heritage Library. She hosts an hour-long public affairs program called Women’s Voices on KZYX&Z FM Mendocino. She is also sits on several non-profit arts and education boards, and volunteers with many local organizations. For an extensive list and exploration of Blake More’s creative world please visit her website: www.snakelyone.com
  • kb SOCORRO
    kb SOCORRO
    Visual Arts: Constructions/Collage, Illustration, Mixed Media, New Media/Technology
    A native of California, Socorro is an award winning fine art photographer and multimedia artist. Utilizing visual storytelling and experiential design, their interdisciplinary practice explores the effect of environments and objects on human interaction.
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