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Spencer Brewer & Esther Siegel

Multi Arts; Performing Arts: Music; Visual Arts: Constructions/Collage, Mixed Media, Sculpture

Spencer Brewer & Esther Siegel Overview Transforming the everyday cast-off into something extraordinary… Spencer Brewer & Esther Siegel have a passion for creating quirky and fantastical pieces of art out of re-purposed, or ‘found art’ materials. From the whimsical and humorous to the punk and dark, each piece is one of a kind. Creating “new compositions” from vintage or unusual objects, they inspire viewers with a sense of delight, surprise and sometimes awe. Working both separately and as a team, Spencer & Esther confer regularly on their artwork. “We don’t always have the same vision, but we always listen and that feedback can open new doors.” Their studio is a wonderland of eccentric odds and ends and then some. Nicknamed the “Barn of Curiosities, Oddities and Light”, one discovers a much venerated collection of eccentric obsolete ephemera & vintage electromechanical obscura giving these artists endless options for their transformative art. Esther Siegel Esther’s “late in life artist” emerged from the scrapbooking world. From there she expanded to unique one of a kind greeting cards and then moved into ‘found art’ sculptures. Her pieces are a mixture of the whimsical and dark humor. They range from Barbie Doll parts (Altered Barbies) to old neck ties (Awards), to horse and doll parts (Horse People) and antique toasters (Twisted Toasters). She describes her creative process as sometimes very slow and frustrating and goes through many variations on a theme before settling on the finished piece. Spencer Brewer Spencer Brewer has been creating art and music since he could walk. For much of his life his focus was on pianos, composing, creating, recording and producing music. He also worked on over 20,000 pianos, crank phonographs and pump organs which gave him the opportunity to collect unique and obscure vintage mechanical objects along the way. In 2006 he began to focus his creative energy on ‘re-purposed or found-art’, using parts he had amassed over the years to create unusual sculptures. “I love vintage 60-150 year-old beautifully designed parts and objects. The graphic design and engineering of the industrial to the science fiction eras inspire me.”

Doug Browe

Visual Arts: Ceramics, Functional and/or Decorative, Mixed Media, Sculpture, Visual Arts Instructor

Doug Browe, Potter, Ceramic Artist and Sculptor My work focuses on history, problem solving, and relationships. Humankind both anthropomorphizes vessels, to the point of manifesting them with power as if surrogate humans; and employs them as metaphors for humans and manifests them in architectural form, they become a protected sanctuary of containment. It excites me to be part of this connection and help move this timeless conversation forward. From the dawn of civilization humans have had a relationship with vessels; we have from the beginning, anthropomorphized them, manifesting in them the power and honor of being surrogate humans. In turn we use them to mimic our many archetypes. My intrigue of this relationship between humans and the vessel moves my work. Currently, I lead the Ceramics and Sculpture Department at Mendocino College in Ukiah CA and have a studio practice making utilitarian ceramics and sculpture in Elk CA. “I am intrigued by the relationship between the vessel, architectural form and the human figure, that place where the human figure finds form in vessels and architecture and architecture and vessels finds form in figuration. I use these narratives to express a variety of personal and social issues in my work”.

Sunny Chancellor

Graphic Arts; Multi Arts; Visual Arts: Architectural Illustration, Graphic Arts, Illustration, Mixed Media, New Media/Technology, Painting, Photography, Sculpture

Sunny has been experimenting with and around the digital arts realm for many years. With the digital realm comes a great vast expanse of possibility, and Sunny has enjoyed the expansive nature to it’s fullest. From digital photo-editing, to animation, to computer controlled routers, the endless possibilities reflect from his work. Color, shape, design; all interplay in this new, modern medium expression.

Mina Cohen

Visual Arts: Mixed Media, Painting, Visual Arts Instructor

I have been an artist all my life and formally trained with a BA and MA in art. I teach art history and art appreciation at College of the Redwoods and Mendocino College fully online. I travel extensively and have been to all the continents except for Antarctica. Travel and personal traditions inspire my work.

William de la Mare

Literary Arts; Performing Arts: Spoken Word; Visual Arts: Ceramics, Photography, Sculpture

Growing up in the vicinities of London and New York, and coming from a family of artists and art lovers, I’ve been exposed to the arts all my life. I received my first camera as a child and developed the interest through high school. I was scouted in high school and given a scholarship to attend art school. Transferring into a more photography-specific path, I earned my Bachelor of Fine Arts degree with high honors from RIT. By that time, I was concentrating on photographing water and glass as a means of visually depicting spiritual/philosophical ideas pertaining to concepts of infinity. Along the way, I became a lawyer, ultimately focusing on global risk management, but continued to photograph, wrote the first book in a trilogy of epic novels on the theme of life, and also picked up practices in wood sculpture and porcelain pottery. More recently, I have returned my primary focus to art and water, concentrating on water’s various forms – snow, ice, rain, stream, sea, mist, steam, fog, cloud – and, for more than two years now, the Pacific Ocean from the Mendocino Headlands. Since being in Mendocino I have written the second part of my trilogy called Archetypes (Books I and II are now for sale in the Water Gallery) on the theme of death, and am currently working on the third – on the theme of Rebirth.

Laura Diamondstone

Visual Arts: Mixed Media, Painting, Works on paper

SF Bay area native with many hairpin turns and destinations, currently rooting as a small homesteader in Anderson Valley. Inspired from a lifelong absorption of a spectrum of visual, writing and performing arts by extraordinary and ordinary creatives. My art making is expression, giving tangible form to what sustains inner to environment exchange and dialogue as well as how materials/color/creative process/experience informs and shapes the process. It is an act of indulgence, necessity, and evolution. Abstraction is challenging, experimenting with materials is research, representational and figurative work exercises neurotransmission. I believe in all of it and nature and giving back.

Melissa Eleftherion Carr

Literary Arts; Visual Arts: Mixed Media, Performers and Writers, Photography

Melissa Eleftherion (she/they) is a writer, a librarian, and a visual artist. Her work has been featured in solo exhibitions at Bluestockings bookstore (NYC), & the Kensington Public Library (CA), as well as a group show at MEDIUM Art Gallery. She is the author of field guide to autobiography (The Operating System, 2018), & ten chapbooks including: huminsect (dancing girl press, 2013), prism maps (Dusie, 2014), Pigtail Duty (dancing girl press, 2015), the leaves the leaves (poems-for-all, 2017), green glass asterisms (poems-for-all, 2017) little ditch (above/ground press, 2018), trauma suture (above/ground press, 2020), & abalone (poems-for-all, 2021). Her poems & prose have been widely published in over 100 journals and anthologies, & nominated for various awards including the Pushcart Prize & Best of the Net. Most recently, her work has appeared or is forthcoming in The Berkeley Poetry Review, Paperbag, & On the Seawall. Born & raised in Brooklyn, Melissa is an alumna of Brooklyn College (BA), Mills College (MFA), and San Jose State University (MLIS). She founded and co-curates The San Francisco State University Poetry Center Chapbook Exchange with Elise Ficarra. Melissa now lives in Northern California where she manages the Ukiah Branch Library, curates the LOBA Reading Series, and serves as the Poet Laureate of Ukiah. Recent work is available at www.apoetlibrarian.wordpress.com

Margo Frank

Visual Arts: Painting

Making art is my compass, guiding me through the challenges of living in an aging body, in a chaotic world threatened by climate change, injustice and despotic rulers. My work is often a visual expression of a sensory experience- the smell of smoke, the heart-pounding fascination of watching a fire on the next ridge, the weight of hopelessness. in my twenties the creative force that had been squashed at an early age by a shaming teacher was re-ignited, taking me initially into the world of fabric arts and basket-making. Being part of the MendoDada group helped me see that art could be fun, irreverent and political. In the early part of this century I turned from mixed media to painting, first working in acrylic and then, when I discovered the luminosity and versatility of encaustic, working in that medium. At a certain point I noticed that I just wanted to paint on the surface of my encaustic pieces and returned to painting on canvas, using water soluble oil paints. More recently, I’ve found a happy medium between encaustic and oil painting by incorporating cold wax into my work. My relationship with art-making is continually informed and inspired by my work as a clinical social worker and psychotherapist, my deep connection to the natural world and the delight of grand parenting two young, creative souls.

Patti Harney

Visual Arts: Functional and/or Decorative, Painting; colored pencil drawings

What inspires me to paint is a deep reverence for the innate beauty that surrounds us. I look beyond the obvious and find the beauty within the ordinary. It’s always with humility that I strive to paint that essence into being. From The Girls 27×23 colored pencil on paper, custom framed $1250 I paint with oils, mostly on plywood panels. This allows me to sand, scrape and burn to create rich layers of color and texture. Recently, I have introduced colored pencil drawings to my body of work. My daughter, Lisa, works with me in the business of art and one of the things we love doing together is making hand painted dish towels. We call it “Functional art made with love”. I am a full-time member of the Northcoast Artists Gallery in downtown Fort Bragg. It is here that I show my work (including the dish towels!) year-round. Journey 20×26 oil on wood $1050 This August (8/3-8/29/2022) I will be the featured artist for a solo show at the Northcoast Artists Gallery. I’ll be displaying a wide range of original works, including many new pieces and, matted prints. The name of the show is “Convergence”. Opening night is Friday, August 5th – please come by for a glass of wine and a chat. The show will otherwise be running during normal gallery hours, open every day except Tuesdays. See more of Patti Harney’s artwork at her website. August 6th and 7th Lisa and I will be selling our dish towels at the 29th annual “Art in the Gardens” at the Mendocino Coast Botanical Gardens in Fort Bragg. We’ve even designed a new dahlia motif for this special event. Come enjoy this beautiful setting filled with art, music, food and drink.

Diza Hope

Visual Arts: Murals, Painting, Works on paper

Diza Hope is a Northern California painter working in oil, acrylic and pencil. She studied at California College of the Arts and draws inspiration mostly from natural forms. Lately she has been interested in investigating the architecture, rigidity and beauty of animal skulls juxtaposed against the delicate, undulating and graceful shapes found in flower petals. Besides the formal interest; the distillation of the skull becomes a symbol of our universality and basic oneness, being that we are all made of the same carbon, calcium and stardust and the flower, a symbol of our impermanence, but also the beauty we all have the capacity to create and share. Color plays an important role in her painting process as well and she enjoys pushing the boundaries between harmony and discord through her use of it.

Happy/L.A. Hyder

Performing Arts: Spoken Word; Visual Arts: Mixed Media, Photography

I am celebrating 48 years of making images. My desire to photograph began in the 1950s as I became aware of the power of photographic imagery (although I wouldn’t have been able to articulate it at the time) through the Life magazines that came through our door weekly. A self-taught photographer, I count Margaret Bourke-White, W. Eugene Smith, and the myriad other pictorialists in Life’s pages, as my mentors. Shortly after moving to San Francisco in 1969 and two days after using a friend’s 35mm camera, I had my own Nikkormat with a 105mm (portrait) lens. At a camera store, I learned about film and how to load the camera. I joined the SF Photo Center, and, following their two-hour fundamentals in developing and printing class, was let loose in a darkroom. Within two years, I began working with a Hasselblad medium format camera (the negative is 2 ¼” square and there are 12 shots to a roll of film) with a 150mm lens (equivalent to the 105mm) and had my own darkroom. I grew to love the square format and credit the twelve shots per roll of film with the honing of my style of shooting – I spend much time setting up my shot, using my negative as a painter would her canvas, in order to print full frame. I walk away without shooting if my framing cannot achieve what first attracted me to look through the lens. I still credit those Life photographers for helping me hone my visual perspective. While the Hasselblad remains my most cherished tool, in 2009 I was dragged kicking and screaming into the digital age. I find the lightweight digital cameras I’ve been using feed my creativity. Able to carry one at all times, I am able to capture those images that earlier would only be captured in my mind since the heft of the Hasselblad meant I would only carry my camera when I was focused on photographing. With digital, I am also enjoying, and getting very interesting results, working with movement to produce abstract images. I also work with mixed-media assemblage, most often using my own images within the piece. Although taking more images using a digital format, I retain the habit of setting up shots with precision and printing my images full frame, and continue to retain a strict sensibility when choosing what to print. I also use an Epson 1400 printer and the immediacy of these digital tools is truly a wonder to my years of working in film, first in a darkroom during my 22 years working in b&w, and, with a switch to color exclusively in 1997, in having film developed and working with a professional printer.

Larain Matheson

Visual Arts: Mixed Media, Painting; Encaustic wax and oil

These recent paintings I’ve done reflect my love and inspiration from nature, and abstracting the forms I see in the universe. I have been working in ENCAUSTIC WAX and OILS for over 8 years. I have been an artist for over 35 years and received an M.F.A. from U.CL.A. I am captivated by the medium of encaustic which reveals new space and depth, colors, transparencies and surprises. Use of multimedia and collage in my work to experiment with the pigmented wax , I can pour, paint, monoprint and texture the paintings. My work spans abstract to realism. I am always connecting with the energy of the four elements: Earth, Air, Fire, and Water. See more at larainmathesonart.com Encaustic is an ancient medium dating back 2000 years, and was used by the Greeks and Egyptians. I am a member of the Encaustic Art Institute in Santa Fe N.M. and have exhibited my work in Mendocino Art Center, Dolphin Gallery , Cirrus Gallery in Marin, Sebastopol Art Center, Berkeley Art Center, and numerous other galleries and shows throughout California and Colorado. My work is published in the EAI catalogue in Santa Fe, and in “Art Takes Miami “book for 2012. I have taught art at Riverside City College, Santa Ana Jr. College and Marin JC . in California. I continue to teach Encaustic Workshops at my ocean studio twice a year, in Fall and Spring. The process I use takes many turns and as long as I am open to the way the paint moves and the process of heating each layer with a torch to “fuse” the paint, the patterns and images begin to emerge. I paint to discover the unseen, make it visible and return to the connections that nature inspires.

Jim Moorehead

Visual Arts: Photography

My artistic vision is best conveyed through the photographic image; the goal being that the image speaks directly to the viewer, preferably without the use of written or spoken language. Since childhood, I’ve looked at the world through a viewfinder, sometimes figuratively, sometimes literally, trying to capture on film or digital memory, that image that best records my impression of a scene, experience, person, whatever. I’ve traveled extensively and like to think that I’ve collected a record of my life through the camera lens. Although the methods and equipment have changed radically from my first Brownie Hawkeye with its paper-encased roll film to the Canon digital SLR, my artistic skills are inherent, not tech dependent. The camera, software, printer, website are merely the tools used for expression of my art.

Performing Arts: Spoken Word, Storytelling, Vocal; Visual Arts: Film, Illustration, Murals, Painting, Performance Art, Visual Arts Instructor, Works on paper

JAYE ALISON MOSCARIELLO, MFA, Transart Institute/Plymouth University Cell/Studio: 310.970.4517 artisall@earthlink.net www.chasethemonkey.org BORN New Haven, CT RESIDE Redwood Valley, CA SELECTED MUSEUM EXHIBITIONS 2007 “The Last Show,” Asto International Art Festival, Asto Museum of Art, Los Angeles, CA “Simultaneous Multiplicity,” Asto Museum, Los Angeles, CA Gwangwhamoon Int’l Art Festival, Korea National Assembly Library of Korea GIAF, Korean Cultural Center, Bejing, China 2006 “15th Lantern of the East LA International,” Asto Museum, Los Angeles, CA 2002 “Mane Manebu,” Kid’s Plaza Museum, Osaka, Japan. 2000 “Bridging Two Milleniums,” Lalit Kala Akademi, New Delhi, India 1999 “Group Show,” Lalit Kala Akademi, New Delhi, India. Rutman, Howard, “What’s Up & Coming,” LA City Search.com, January 2002. Emenegger, Ashley, “How to Get Unstuck,” Artline Newsletter, Los Angeles, CA, Fall 2001. Etkin, Jay S., “Body & Self – A Hit in Memphis,” I.A.S.G. Newsletter, vol.7, num.2, Mar 2000. Lalit Kala Akademi, Catalog, I.A.S.G. Invitational, March 1999. Shaw, David, “1nE Review,” Memphis Flyer, Memphis, TN, December 1999. Shay, Daniel, “7th Street Int’l: Round Up the Usual Suspects,” I.A.S.G. Newsletter, vol.4, num.10, Washington, DC, December 1997. ARTIST-IN-RESIDENCIES 2006 – 2008 SEA, Montebello, CA Berendo Middle School, Los Angeles, CA La Vida West Pregnant Minor Program, Lawndale, CA Sponsored by Theatre of Hearts/Youth First, Los Angeles, CA PUBLIC ART 2008 Walgrove Elementary School – Courtyard Mural , Mar Vista, CA Hillcrest Elementary School – Outdoor Mural, Los Angelels,CA 2007 99th Street Elementary School, Library Mural, Los Angeles, CA 42nd Street Elementary School, Outdoor Mural, Los Angeles, CA ART WORKSHOPS 2000-2005 “Breaking Out”, Art Bootcamp for Blocked Creatives, Santa Monica, CA “One Minute Storytelling” Sister Corita Art Center, Los Angeles, CA “Sending a Message,” Sister Corita Art Center, LA, CA EDUCATION MFA, Transart Institute/Plymouth University, Berlin, Germany and Plymouth,UK

Jaye Alison Moscariello

Performing Arts: Storytelling, Vocal; Visual Arts: Film, Murals, Painting, Performance Art, Visual Arts Instructor, Works on paper

JAYE ALISON MOSCARIELLO 12400 Bakers Creek Rd. Redwood Valley, CA 95470 310.970.4517 artisall@earthlink.net www.chasethemonkey.org www.jayesite.com @jayepo BORN New Haven, CT RESIDE Redwood Valley, CA EDUCATION 2013 – 2015 Transart Institute, Berlin, Germany and New York, New York Masters of Fine Art 2012-2013 Mendocino College, Ukiah, CA 2004 Santa Monica Community College, Santa Monica, CA 2000 University of California Los Angeles, CA 1993 Art Students League of New York, New York, NY 1977-1978 Creative Arts Workshop Studio, New Haven, CT 1972-1976 Paier College of Art, Hamden, CT SELECTED GROUP EXHIBITIONS 2016 “The Anthropocene Show”, Redwood Valley Grange, Redwood Valley, CA* 2015 “Transient Transgressions”, Somos Gallery, Berlin, Germany* 2015 “Loose Ends”, Somos Gallery, Berlin, Germany 2014 “Pop-Up” Show, Transart Institute at Somos Gallery, Berlin, Germany (July) 2014 “Fifth Annual Altered Books Exhibition”, MarinMOCA, Novato, CA (Apr.) 2013 “Pop-Up” Show, Transart Institute at SuperMarket, Berlin, Germany 2012 “Food for Thought” Mendocino College Art Gallery, Ukiah, CA 2012 “Anderson Valley Artists” Oddfellows Hall, Mendocino, CA 2010 “Anderson Valley Artists” Oddfellows Hall, Mendocino, CA “Artist Collective at Elk at Gualala” Gualala Arts Center, Gualala, CA 2009 “Artists Collective at Elk” Gualala Arts Center, Gualala, CA* “113th Annual Open Juried Exhibition” Catharine Lorillard Wolfe Art Club, National Arts Club, NY “Art in the Redwoods,” Gualala Arts Center, Gualala, CA 2007 “The Last Show”, Asto International Art Festival, Asto Museum of Art, Los Angeles, CA “Simultaneous Multiplicity,” Asto Museum, Los Angeles, CA Gwangwhamoon Int’l Art Festival, Korea National Assembly Library of Korea GIAF, Korean Cultural Center, Bejing, China 2007 “Paris Open 2007” Atelier Grognard, Rueill-MalMaison, France/Espace, Villpinte, France 2007 “THE Swimming Pool Show” ROARK, Los Angeles, CA 2006 “15th Lantern of the East LA International,” Asto Museum, Los Angeles, CA 2006 “15th Lantern of the East LA International,” Doizaki Gallery, Japanese American Cultural Center, Los Angeles, CA 2006 “10 Points of View,” ROARK Gallery, Los Angeles, CA * 2004 “Hollywood Bowl Sphere Art Project,” Cause & Effect Gallery, Torrance, CA. 2003 “From Korea to Iraq…” Anti War Posters Show, Track 16 Gallery, Santa Monica, CA. 2002 “Reactions,” The Williamson Gallery, Pasadena, CA. “Naughty Bits & Pieces,” Gallery 825, Los Angeles, CA. curated by Christopher Miles “Reactions,” Exit Art, New York, NY 2002 “Mane Manebu,” Kid’s Plaza Museum, Osaka, Japan. 2001 “California Open,” curator, Christopher Miles, Gallery 825, Los Angeles, CA. “Watermedia,” Bigfork Art & Cultural Center, Bigfork, MT. 2001 “It Figures,” Key Club Video Billboard Show, Los Angeles, CA.4- Person Show, 1st LA Billboard art show. page 2/Moscariello 2001 “Lust & Revenge in the Year of the Snake,” Josephine Butler Center, Washington, DC. 2001 “I.A.S.G. at MOCA,” Museum of Contemporary Art DC, Washington, DC. 2000 “Bridging Two Milleniums,” Lalit Kala Akademi, New Delhi, India 2000 “Invitational,” MOCA-DC, Washington, DC. 2000 “California Open,” curated by Carol Ann Kloneides, Gallery 825, Los Angeles, CA “Reflections of Humanity,” Marlboro Gallery, Largo, MD. “Body & Self,” Cooper Street Contemporary Gallery, Memphis, TN.* 1999 “1nE,” Vertigo Gallery, Memphis, TN. 1999 “I.A.S.G. Group Show,” Lalit Kala Akademi, New Delhi, India. 1998 “Downtown Lives_,” Downtown Artists Development Association, Los Angeles, CA “Erotica,” Olympia Hall, London, England. “Speak Out_,” Matrix Arts Gallery, Sacramento, CA. 1997 “Generations,” A.I.R. Gallery -25th Anniversary Invitational, New York, NY. 1994 “Art of Northeast America,” curated by Holly Solomon, Silvermine Artists Guild, New Canaan, CT “Group 1V,” Brooklyn Waterfront Artists Coalition, Brooklyn, NY. 1993 “Art of Northeast America,” curated by Eliza Rathbone, Silvermine Artists Guild, New Canaan, CT “Group Annual,” Brooklyn Waterfront Artists Coalition, Armory, Brooklyn, NY. 1992 “Salon of the Mating Spider,” Testsite, Williamsburg, NY. “Annual Show,” Brooklyn Waterfront Artists Coalition, New York, NY. SELECTED SOLO EXHIBITIONS 2017 “Politic-OH!”, Willits Center for the Arts, Willits, CA, Oct. 2011 “Chase the Monkey,” Scharffenberger Cellars Art Gallery, Philo, CA 2010 “Mendocino Coast” Lauren’s, Boonville, CA “Land and Sea,” Artists Collective at Elk, Elk,CA “Ocean Series,” Canele, Los Angeles, CA 2003 “Narrative Works,” Flynn Gallery, Raleigh, NC 2002 “Inside/Out,” Modern Art Gallery, Los Angeles, CA SELECTED ARTICLES AND PUBLICATIONS Reith, Sarah, “The Anthropocene Show”, Ukiah Daily Journal, April 2016 Museum of Contemporary Art – KIASMA Studio,“In the Middle of a Movie,” Catalog, Helsinki, Finland, November 2004. Dickson, Laurie, “Artists Interiors…,” Rockport Publishing, November 2003. Mastbaum, Blair, “Art Pick,” DigitalCity.LA, Los Angeles, CA, November 2002. Emenegger, Ashley, “Drive-by Art,” Artline Newsletter, Los Angeles, CA, Spring 2002. Rutman, Howard, “What’s Up & Coming,” LA City Search.com, January 2002. Emenegger, Ashley, “How to Get Unstuck,” Artline Newsletter, Los Angeles, CA, Fall 2001. Etkin, Jay S., “Body & Self – A Hit in Memphis,” I.A.S.G. Newsletter, vol.7, num.2, Mar 2000. Lalit Kala Akademi, Catalog, I.A.S.G. Invitational, March 1999. Shaw, David, “1nE Review,” Memphis Flyer, Memphis, TN, December 1999. Shay, Daniel, “7th Street Int’l: Round Up the Usual Suspects,” I.A.S.G. Newsletter, vol.4, num.10, Washington, DC, December 1997. . SELECTED PUBLIC COLLECTIONS Center for the Study of Political Graphics, Los Angeles, CA Library of Congress, Washington, DC National Archives, Washington, DC Paier College of Art, Hamden, CT St. Joseph’s Hospital, Bob Hope Wing, Los Angeles, CA *Co-curator

Bill Mulvihill

Graphic Arts; Media; Visual Arts: Graphic Arts, Mixed Media, Painting, Works on paper

Bill Mulvihill has lived on the north coast since 1970. In the early seventies he worked with Mendocino Art Center instructors Charles Stevenson and Dorr Bothwell. He was also involved in theatre productions performed there, doing posters, stage managing, costume and set design. In the years since then, Bill has worked in many art mediums, drawing, portraiture and printmaking being particular favorites. After completing the College of the Redwoods Graphic Communications Program, he received the certificate in May 2007. Currently, in addition to working with the Arts Council of Mendocino County, he is assistant editor for the Fort Bragg – Mendocino Coast Historical Society newsletter, “Voice of the Past”. Bill also does other design/layout work, digitizing analog audio, & CD and DVD disc design and duplication. Mendocino Coast Music Archives Dedicated to preserving the rich music heritage of the Mendocino Coast…is where you can listen to some amazing historic local music. Dirty Legs, Judy Mayhan, Lenny Laks, & Charlie Remer music tracks have been uploaded so far. Contact bill@artsmendocino.org with comments & questions. Enjoy!

Kristin Otwell

Visual Arts: Mixed Media, Painting

I have been exploring nature with watercolor for over 40 years. Trained as a scientific illustrator, my subject matter has included succulent plants, rocks, leaves and trees rendered with a combination of detailed realism and a focus on abstract design.

Sonya Popow

Visual Arts: Ceramics, Earthworks, Functional and/or Decorative, Sculpture

SONYA POPOW I’ve had my hands in clay for more than fifty years. I was rigorously trained as a production potter, spending two years as an apprentice to Charles Counts in Appalachia, then studying with his teacher, Marguerite Wildenhain at Pond Farm Pottery in Guerneville. In mid life I returned to graduate school and worked on a series of monumental sculptures. I enjoy making sculpture to fire in local atmospheric kilns. Many of my sculptures have come from explorations of the plants in my garden with various lenses. Lately I’ve been inspired by whale vertebrae and the amazing shapes of bones. I always wander in pictures of pots and sculpture ancient and contemporary. My wood fire pots are fired in either Leslie Campbell’s Albion/Aum Anagama or in Nick Schwartz’s Cider Creek Anagama. These Anagama kilns are fired entirely with wood for up to 7 days with a community of potters stoking constantly in 6 to 8 hour shifts. The pots may have a liner glaze, but the subtle ‘glaze’ on these pots is from the volatile atmosphere of the very hot wood fumes and ash in the kiln interacting with the clay body. SHAPESHIFTERS These small sculptures have no ‘right side up’. They can be hung, played with, turned and displayed in many directions. The series began as a symbolic Buddhist ‘mala’ of 108 prayer beds. Each piece is still made and fired with a quote from the Dalai Lama inside. During the firing process, the paper quote is burned but perhaps the energy remains or maybe you have some words of your own. “My religion is kindness” Dalai Lama I hope for pieces that evoke some mysterious found object – a seed, a leaf, a shell, a bone. If I am successful the viewer will ask, “Where did you find it?” and, “Can I touch? I continue to make medium fire (cone 5) functional pottery at my home/studio in Fort Bragg. Call for a visit at my outdoor showroom -707-964-5128.

Ona Rynearson

Multi Arts; Visual Arts: Ceramics, Jewelry, Mixed Media, Performance Art, Photography, Sculpture

Ona Rynearson (Mendocino->NYC->Santa Rosa->LA->Mendocino) is a photographer, multimedia artist, and baker (of Happy Hermit Bakery). You can often find Ona carrying more than one type of camera and can be found around the county with their award-winning baked goods. They delight and dabble in the unnoticed, obscure, and unusual – always seeking the balance of playful and hopeful and love analog and vintage approaches to expression and exploration in their work. Social Media: shesearchedtobelost, Mendokid90, happyhermitbakery

Micah Sanger

Visual Arts: Painting

Visionary Arts Gallery 45004 Albion St. #8, Mendocino At the Gallery paintings from my Traveling Museum Exhibit (https://www.perception4u.com/museumexhibit) are displayed along with the theoretical physicist quotes that accompany each painting. The exhibit is to encourage viewers to explore in depth the meaning of the words of these great insightful, intuitive physicists and to allow the paintings to lift them into new ways of looking upon their world, revealing its mystery and wonder. An enriching experience awaits the visitors to the Gallery who come with a curiosity and a wish to live life to its fullness and who know that there is much more going on here in this world than first meets the eye. New Video: “The Art of Theoretical Physics” FREE BOOK DOWNLOAD of “TOBE and the RIVER IS” In celebration of our courage and compassion during these times, and because, for many, it is also financially challenging, I would like to offer everyone a free download of my award-winning book https://www.perception4u.com/bookgift ____________________________________________________________ If You Feel Inspired to, please make a donation to the Arts Council of Mendocino County Explore with Tobe the power and wonder of the great River Is. Go on an adventure which is the discovery of yourself. Reviews: “Sanger has succeeded in writing the modern-day Siddhartha: an intricate tale of a deep spiritual journey, within and without. His artistic use of words and illustrations gently opens the door to truth and carries you to the living River; you will be hooked.” Joe Kittel, author of Spiritual Principles in Strategic Alliances and founder of SPiBR.org LLC. “Gorgeous phrasing, fully entrancing and sparkling with freshness. The author has a fine instinct for wowing the reader at the start, and throughout, with beautifully crafted sentences. Even better, the effect hides the effort. Nothing about this book seems forced which is what elevates it. And the wow factor of this book is masterfully-written. Beautiful visuals…engage our senses and place us in the scene. Well done. Stays with the reader.” Writer’s Digest Judge, 24th Annual Writer’s Digest Self-Published Book Awards ____________________________________________________________ Biography I have been an active artist producing paintings since 1970 when I changed my major at Clemson University from engineering to art studio. That was when I discovered my true passion for art. I have been diligent and dedicated to my calling as an artist ever since. I continued my development as an artist when I apprenticed under the nationally known artist Richard Goetz in the early seventies for a brief time, followed by attending the University of Santa Barbara and Chico State University, CA, from 1980 to 1985. Plums – Unified Field, 7″ x 15″ mixed media In 1996 I pulled away from the gallery art scene to go deep into a contemplative life—a life of open-eyed meditation, studying the world 8 to 12 hours a day and often more for many days of the week while taking notes, making sketches, and developing paintings about what I was observing. Out of this exploration into perception and awareness, a rich new way of looking at my world and a new approach to painting arose. Besides objects becoming more alive and energetic in my perception, a sense of this world existing in a dimension, and what I call a “unified field” arose. These perceptions, I found, do not subtract from this physical experience but only add to its mystery and wonder. They also parallel, in many ways, the ideas of theoretical physics. Beyond Form to the Light, 56.5″ x 106″ mixed media I started working on an educational website, (www.perception4u.com) to pass on to others through the text and exercises the experiences and insights I was having. I used my paintings to give visual expression to the ideas I was relaying. Through the exercises on the website, I was attempting to open up to others their own revelations of deeper levels of perception. Over time a substantial number of paintings were created. I knew that one day they would be the source of future exhibits. Barn Jackson Hole, 54.5″ x 61″ mixed media As I watched people interfacing with the exercises of the website, I realized that some individuals needed a more emotional approach to exploring perception. So, in 2013 I began writing and illustrating my book, “Tō•bē and the River Is,” with the idea that through the life of the protagonist, people could experience new ways of looking at their world. The Dream of a World in a Holy Mind It is a whimsical fairytale full of living metaphor. The “River Is” is itself a metaphor for the matrix of the unified field that surrounds us. It was published in 2016 and has already won two Global eBook Awards, one for illustrations, The New Apple Book Award, followed by the prestigious Ben Franklin Award and the Nautilus Book Award. (The book website is www.4riveris.com ) Turtle Rock and Back View of Artist-Dimension, 28″ x 34″ In September of 2017, I started to exhibit my work publicly for the first time since 1996. It started with the Sausalito Art Festival, then the HarmonyUs Festival followed eventually in 2018 by the HarmonyUs Festival again and the Edgewater Gallery in Fort Bragg, California. Now my focus is on displaying my art as a cohesive whole in a traveling museum exhibit with the same purpose it shares with my website, my book, as well as my public speaking engagements—to inspire people to explore the life-enhancing nature of deeper levels of perception. It really is an exciting project of combining my paintings with the words of theoretical physicists to create a very powerful effect. I also mention in my museum proposal that I will give a presentation at a couple of the local high schools. Clear perception opens up a new and exciting world, creating a new enthusiasm towards living, something many of the students can use nowadays. FlatRock – Dimension III, 63″ x 82″ mixed media Visionary GALLERY OPEN DOOR HOURS Friday, Saturday, Sunday 1:00 to 5:00 11:00 to 5:00 11:00 to 5:00 And open by appointment. Please call number below. Open throughout the week for events and classes. Phone Numbers: Visionary Arts Spiritual Center Micah Sanger Sally Wells (505) 455-2867 (707) 357-3466

Virginia Sharkey

Visual Arts: Painting

My work is about the elemental and essential, the simple glue or energy that binds people, without labels or stereotypes, to one another. Like a physicist I deal with forces: weight, expansion and contraction, implied movement through the vector of line, and the emotional “tone poem” infused by color. Some recent paintings are about the topic of noon. Yellow is not a color I use terribly often but I found this cheered me in the pandemic and I hope these constructions will bring happiness to others.

Fred Sternkopf

Visual Arts: Film, Graphic Arts, Illustration, Painting, Sculpture, Visual Arts Instructor

Welcome to my world of art! Being born into a family with generations of German artists, I was almost destined to become an artist. At age 5, I had my first solo exhibition of paintings in Michigan . . . and Art continued thereafter as my central focus of life. I completed studies at Michigan State University, the University of Wisconsin, the Art Institute of Chicago and the San Francisco Art Institute. I live and work between the Northcoast of California and New Mexico. My work can be found in private, corporate, and museum collections throughout America and in Western Europe. Many forms of art have played a part in my world of expression. My sculpture ranges from figurative realism to minimalist abstract . . . monumental to minimal in size. Materials used include corten steel, stainless steel, wood, stone and more. Each new commissioned project dictates the range of expression. The rules come from the heart. Ravens have often been my muse. They’ve long played a role in the spiritual beliefs of many cultures worldwide, since the beginning of mankind. They’re considered the wisest of all birds, and often seem to express a special wisdom beyond the human realm. Since early museum exposure to the works of Alexander Calder, I’ve sought to expand in that direction with my own personal mobiles. Now often personal and corporate collections include my mobiles in addition to their Calders. Cartooning has played an important role in my life since the time I could hold a pencil as a small child. Over a thousand of my cartoons have been published to date in newspapers, magazines and books. For over 20 years my “Dr. Doo” political/social commentary cartoon strip has appeared in the Anderson Valley Advertiser, one of the last truly progressive independent publications. A weekly newspaper with distribution across the country and abroad, especially featured in college and university bookstores. “Dennis Rodman”Private CollectionChicago, ILAcrylic on Board Other graphic art has included portraiture of several well known sports and entertainment figures for their collections. Also I’ve worked with social activists, such as the Black Panthers. In addition to fine art paintings, I’ve done book illustrations …and several logo designs. My love of sports has taken me into commercial graphics for several professional sports teams, including Giants, A’s, Niners, Raiders and the Golden State Warriors. Film, video and photography have also played an important part in my creative life. My short documentary and docudrama films have won awards in several international film festivals, including the San Francisco, New York and Chicago festivals. I’ve also taught Film and Video Production with the assistance of a “California Arts Council” grant. In the commercial world of advertising, I’ve produced several TV commercials and corporate films for national distribution. “Women In Black”Sculpture CommissionStainless Steel & StoneCarolyn M. Owen CollectionMendocino Coast, CA Much of my work is political or spiritual in content. I strongly believe fine art should speak directly to the soul. With each encounter with a work of art, something new should be seen and realized…over and over. True art shouldn’t just be decorative, but add to the expansion of the inner self…the soul, and bring about personal reflection and insight. Every time one looks at the same piece of real fine art it should be a new experience…a revelation…helping to discover oneself. Frederick Sternkopf P.O.Box 743 Mendocino, CA 95460 (707) 962-0410 Frederick Sternkopf

Mary Tinder

Visual Arts: Constructions/Collage, Mixed Media, Murals, Painting; Pen & Ink

I’m a young artist from Vacaville, CA living and working in Fort Bragg, CA. The cities of Fort Bragg and Mendocino and their close knit, creative communities welcomed me immediately when I took the plunge and moved here to the coast in 2021, chasing the opportunity to live a more peaceful lifestyle and renew my passion for life. I now spend my time working as the Community Engagement Manager for the Mendocino Coast Healthcare Foundation and spending time with my family, partner, and friends in Mendocino and Willits. For questions regarding my work, please contact me via email or phone: marytinder@me.com (707) 685-7308 You can view more of my work on Instagram: @maryelizabethtinderart

Laura Wiecek

Visual Arts: Crafts, Mixed Media, Painting, Textiles, Works on paper; Book Art

Go to my website ShesNartist.net for all information

Lynne Zickerman

Graphic Arts; Multi Arts; Visual Arts: Graphic Arts, Illustration, Mixed Media, Painting, Visual Arts Instructor, Works on paper

My Art is a parallel life, revealing my thoughts and feelings. I create what I want to see at a resonant moment in time, that I imagine or see in the world. I love them as testaments to what has touched me. My friend Orena says I love my own work more then anyone else she knows! True for me as they put me in touch with people, moments, treasures I value. I’ve drawn since I could hold a pencil and with Mom supplied Art materials, as she valued creativity herself. School and especially College Art classes were such fun discoveries. I loved school and just kept going! I have two Master’s degrees, in Painting and Art Education from UC Berkeley and UW Madison respectively. For 34 years, I taught Secondary Art in Vallejo and at Chabot College in Hayward. Many former students have become artists, architects and creators in related fields. Retiring to paint, I showed in Bay Area galleries and studied at the University of Creation/Spirituality for a DMin. degree, offering me humane life perspectives. I joined the Artists’ Co-op of Mendocino in 2010. After visiting our land for two months a year since ’78, my late artist husband Dan Olson and I moved here permanently in ’16. Living in the Redwoods during the Pandemic has moved me to focus on my surroundings which my current work reflects. I’ve returned to huge Natural elements as inspiration. The Redwoods’ scale holds intimate details as I pursue their nurturing qualities as an invitation to join me, in my parallel Universe. I was invited to join the Artists’ Co-op in 2010 and display on my wall with a One person Featured Artist Show every 2 years. I can change my space at any time, follow my creative intuition and create themes and use diverse media for my wall and Featured Artist Shows. We are a group of 18 producing and lively members currently, In a beautiful space. I truly value this experience as an Artist and a creative person. My late husband Dan Olson and I sponsored Comptche’s Art and Wine Day every fourth Saturday of September from 2014-19; stopping for the Pandemic. Happy to say, we’ll have an Art Day once again, on September 23, bringing many creative people together. Over 40 artists show their work from 2-6 in the Comptche Community Hall, 1/4 mile East of the town center. I will send out applications to residents in August and invite everyone to see their excellent and varied work. Our break has been too long! I was invited to be the Summer Featured Artist for the Arts Council of Mendocino. It’s an opportunity to express my self beyond my visual statements in paint. And to share past styles and interests. I’m honored to join this tradition in beautiful Mendocino County.

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