Jack O’Rourke
Well known to many local lovers of art, O’Rourke’s work has been exhibited in many Gualala Arts shows, including Art in the Redwoods, where he took 1st place in watercolors in 2011 and 3rd place in watercolors in 2013. While he works primarily in watercolor, O’Rourke also uses other media, including charcoal, soft pastels, and oil pastels. In addition, he says printmaking is “another of my favorite art forms,” for which he uses a planetary gear art press and carved ... view more »
Jack O’Rourke
Well known to many local lovers of art, O’Rourke’s work has been exhibited in many Gualala Arts shows, including Art in the Redwoods, where he took 1st place in watercolors in 2011 and 3rd place in watercolors in 2013. While he works primarily in watercolor, O’Rourke also uses other media, including charcoal, soft pastels, and oil pastels. In addition, he says printmaking is “another of my favorite art forms,” for which he uses a planetary gear art press and carved relief block or intaglio processes.
nfluenced by renowned artists Alex Powers, Don Andrews, and Charles Reid, O’Rourke describes his style as “chiefly figurative and plein-air” and points to the nude figure as a favorite subject, which he treats in a number of ways, including pop art or manga, which perhaps reflects his extensive early experiences with cartooning. Visit saatchiart.com/orourke to view the breadth of O’Rourke’s style, ranging across impressionism, expressionism, and realism. “I love painting from life, especially nude studies made possible at weekly life drawing drop-in sessions at Gualala Arts,” says O’Rourke, adding that “The challenge always is finding the dynamic, fleeting expression of the model, right now, in what is written in her face, in the sinuous flow of body lines, or in the bold and subdued musculature he presents in a pose.”
Rene Dayan-Whitehead
This will be the first Dolphin exhibit for Dayan-Whitehead, a native San Franciscan who grew up in Portland where she studied ballet, jazz, and tap and experimented with motion and form. Her interest in dance led eventually to work in costume design and construction, and why after receiving a master’s degree in business, she moved into product development and advertising.
Today, Dayan-Whitehead sees strong connections between dance and sculpture: the creative process that yields her sculptures is itself a dance. Her hope is that with each work, “the dance of light and shadow’ will resonate with each individual viewer. “Come with me,” she says, “let us make the stones dance.”
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